Chauvet
04-01-2014, 09:06 PM
Hi everyone.
I've become a bit of a Chauvet cave art fan, but in a way that has had a major impact on my life this last year or so.
I have a problem which I am trying to get sorted out. I believe I have discovered something that might have a huge impact on our understanding of our ancient past. If I'm right, that is..
Before I get going, I'd like to say that I have heard all the comments of "we see what we want to see" etc before but the art proves itself by replicating an image or representing certain things that are the same in different ways.
I have also had one image confirmed by the now late Catherine Acholonu (United Nations forum for art and culture member) so that alone has boosted my beliefs in what I've found.
I seek help and assistance in getting everything I have got looked at, checked, researched, backed up and hopefully confirmed. as a long term goal a video would nice and field trips to certain places. I have self published a book on everything i have so far (not going to link to it or my site until I am fully aware that I am allowed to do so on this forum).
So, I need to show you some of what I am talking about
The Chauvet cave art is 30,000 years old approximately, give or take a few thousand years (though I noticed in one of your threads that this date is being "questioned". I have replied to it and am linking it here for record keeping http://www.theapricity.com/forum/showthread.php?117722-Chavet-cave-art-dating-in-question ) It featured in Werner Herzogs film, Chauvet the cave of forgotten dreams and it was from this film that my adventure began.
Whilst watching it, I thought I was seeing things that should not be there and were not exactly what was being described by the specialists. I kept putting these things down to coincidence and "seeing what i wanted to see" even though it turns out I really was seeing something rather incredible.
What eventually got my full on attention was one character.. a hippo. he had been painted facing downwards and was the only creature of his type in the entire art work.
45992
I have rotated him so that he is effectively standing on his hind legs.
So I got searching on the idea that had sunk into my head given to me by the hints ther previous 'coincidence' images had given me and I looked into the ancient Egyptian culture and its art and aymbols etc.
What I found shook me to the core.
In this image we see the hippo in the cave and on the tomb ceiling of Seti 1st. I have highlited the other matching components of the two images to show how exactly close they are.
45993
There is a lot to all of this and I'm trying to keep it short and concise
There is one image that is said to be a horses head, yet it is so badly drawn in compariosn to all of the other horses that it has to be something else. Yes it is joined to a horses body which is very faintly drawn so the emphasis was given to the 'head' and it was one of the images that first got me suspiscious.
It's the eye of Ra, it also has the left side of a guman face embeded behind it too. The white/grey shading forms the forehead, temple, left ear and cheek whilst the main eye socket has a typical human shape and nothing has been drawn in that area.
45994
Now to the image that Catherine Acholonu verified. It is one of two images that can be found by the 'mirroring' method. Both can be found on the direct vertical meaning that no manipulation of the images needs to be done and that both were created with intent.
I am enclosing a Roman relief in order to show you the amazing similarity (another one)
45995
Now, it looks like two lions 'rampant' guarding a chalice, cup or grail.. a very typical image we see in modern heraldry today.
Here is Catherines take on it..
The leopards/tigers in mirror-image are very very intriguing. They are witnessing the birth of Atum/Amun the Son of the Mother Goddess in the Egyptian Zep Tepi (First Time)! The mirror leopards, watching, witnessing represent The Watchers the Cosmic Gods. I see two humanoid beings in the center, the one above is a Father/Mother figure wearing a crown with arms outstretched like a BAT, legs outstretched, giving birth. He/She is giving birth to the lower figure who looks like the SON. This lower figure is also with outstretched arms. He is lunching forward/thrusting his arms and shoulders forward like a swimmer in water. His head is bent down. His face is partially hidden, looking downwards, while the crown of his head is showing very clearly. He also looks like a BAT or BATMAN coming out of his Mountain Home. (The Bat is the animal that lives in the Dark, and it is a Black animal, just as it is portrayed in Batman movies. It is the dweller in all dark Caves everywhere. It dwells in Hiding. It is thus the metaphor for the Hidden God of the Egyptian Duat Atum-Ra/Amun/Tmu). A flat-topped phallic Mountain (monolith/lingam) is located directly below him on the ground, shaped like an inverted U. It is the Egyptian Primeval Mound or Benben where Atum stood to utter the original Creative Act after he emerged from the womb of the Chaotic Waters of NUN. Thus this lower figure is AMUN-RA (Atum/Tmu) rising from the Womb of Chaotic Nun at the moment of First Creation.
The image also represents Osiris resurrecting from his Tomb in the Underworld DUAT in a future time, wch is NOW the new Age of Enlightenment. All in all the image captures the Egyptian First Time (Zep Tepi) when Atum rose from the Abyss of the Primeval Waters to begin the Creative Act. The only witnesses to this event were Cosmic Beings, represented in the Art with the metaphor of animals, for man had not yet been called forth (created). The animals represent COSMIC beings (the so-called KAs or KASHIs of the Egyptian Zep Tepi, who were companions of Atum in the Moment of First Creation (Zep Tepi). Leopards are totems of female cat-goddesses of Egypt, such as Sekhmet and Wadjet.
Their presence indicates that only goddesses were in existence when Atum was born. They were the midwives of his emergence from the womb of Nun. Goddesses were the mothers of the gods. And God (Atum) was born by a Goddess, who is called Nne Chukwu (Mother of God) among the aboriginal Igbos of Nigeria. By the way, the famous NUN River of Egyptian mythology is a Delta river physically located in the Lower Niger area of Nigeria, so too is the celebrated AN/On (Igbo ONU) the Opening into the Bottomless Pit, wch leads into the Underground Duat in the mythical Land of the Dead which the Egyptians called AMANA, BUT WHICH IS ALSO A PHYSICAL PLACE IN IGBOLAND A VILLAGE OF THE DEAD CALLED AMANA BY IGBO NATIVES.
Now i am going to fet into something that has me really confused. This is the second image that was found by mirroring. In the original cave art you can only see its left side which ties in with the left sided 'eye of Ra' posted above...
Who is this? What is it? why is it in the art? Why was it hidden?
45996
There is a lot more to the art, some of it is so 'out there' that when i was writing the book i was questioning myself and everything I'd seen, but i had to carry on and get it all down on paper as it really is an amazing journey.
All said and done, i believe that the art holds the secret to the foundations of the ancient Egyptian culture. Proving it is another thing and this is now my mission.
I've become a bit of a Chauvet cave art fan, but in a way that has had a major impact on my life this last year or so.
I have a problem which I am trying to get sorted out. I believe I have discovered something that might have a huge impact on our understanding of our ancient past. If I'm right, that is..
Before I get going, I'd like to say that I have heard all the comments of "we see what we want to see" etc before but the art proves itself by replicating an image or representing certain things that are the same in different ways.
I have also had one image confirmed by the now late Catherine Acholonu (United Nations forum for art and culture member) so that alone has boosted my beliefs in what I've found.
I seek help and assistance in getting everything I have got looked at, checked, researched, backed up and hopefully confirmed. as a long term goal a video would nice and field trips to certain places. I have self published a book on everything i have so far (not going to link to it or my site until I am fully aware that I am allowed to do so on this forum).
So, I need to show you some of what I am talking about
The Chauvet cave art is 30,000 years old approximately, give or take a few thousand years (though I noticed in one of your threads that this date is being "questioned". I have replied to it and am linking it here for record keeping http://www.theapricity.com/forum/showthread.php?117722-Chavet-cave-art-dating-in-question ) It featured in Werner Herzogs film, Chauvet the cave of forgotten dreams and it was from this film that my adventure began.
Whilst watching it, I thought I was seeing things that should not be there and were not exactly what was being described by the specialists. I kept putting these things down to coincidence and "seeing what i wanted to see" even though it turns out I really was seeing something rather incredible.
What eventually got my full on attention was one character.. a hippo. he had been painted facing downwards and was the only creature of his type in the entire art work.
45992
I have rotated him so that he is effectively standing on his hind legs.
So I got searching on the idea that had sunk into my head given to me by the hints ther previous 'coincidence' images had given me and I looked into the ancient Egyptian culture and its art and aymbols etc.
What I found shook me to the core.
In this image we see the hippo in the cave and on the tomb ceiling of Seti 1st. I have highlited the other matching components of the two images to show how exactly close they are.
45993
There is a lot to all of this and I'm trying to keep it short and concise
There is one image that is said to be a horses head, yet it is so badly drawn in compariosn to all of the other horses that it has to be something else. Yes it is joined to a horses body which is very faintly drawn so the emphasis was given to the 'head' and it was one of the images that first got me suspiscious.
It's the eye of Ra, it also has the left side of a guman face embeded behind it too. The white/grey shading forms the forehead, temple, left ear and cheek whilst the main eye socket has a typical human shape and nothing has been drawn in that area.
45994
Now to the image that Catherine Acholonu verified. It is one of two images that can be found by the 'mirroring' method. Both can be found on the direct vertical meaning that no manipulation of the images needs to be done and that both were created with intent.
I am enclosing a Roman relief in order to show you the amazing similarity (another one)
45995
Now, it looks like two lions 'rampant' guarding a chalice, cup or grail.. a very typical image we see in modern heraldry today.
Here is Catherines take on it..
The leopards/tigers in mirror-image are very very intriguing. They are witnessing the birth of Atum/Amun the Son of the Mother Goddess in the Egyptian Zep Tepi (First Time)! The mirror leopards, watching, witnessing represent The Watchers the Cosmic Gods. I see two humanoid beings in the center, the one above is a Father/Mother figure wearing a crown with arms outstretched like a BAT, legs outstretched, giving birth. He/She is giving birth to the lower figure who looks like the SON. This lower figure is also with outstretched arms. He is lunching forward/thrusting his arms and shoulders forward like a swimmer in water. His head is bent down. His face is partially hidden, looking downwards, while the crown of his head is showing very clearly. He also looks like a BAT or BATMAN coming out of his Mountain Home. (The Bat is the animal that lives in the Dark, and it is a Black animal, just as it is portrayed in Batman movies. It is the dweller in all dark Caves everywhere. It dwells in Hiding. It is thus the metaphor for the Hidden God of the Egyptian Duat Atum-Ra/Amun/Tmu). A flat-topped phallic Mountain (monolith/lingam) is located directly below him on the ground, shaped like an inverted U. It is the Egyptian Primeval Mound or Benben where Atum stood to utter the original Creative Act after he emerged from the womb of the Chaotic Waters of NUN. Thus this lower figure is AMUN-RA (Atum/Tmu) rising from the Womb of Chaotic Nun at the moment of First Creation.
The image also represents Osiris resurrecting from his Tomb in the Underworld DUAT in a future time, wch is NOW the new Age of Enlightenment. All in all the image captures the Egyptian First Time (Zep Tepi) when Atum rose from the Abyss of the Primeval Waters to begin the Creative Act. The only witnesses to this event were Cosmic Beings, represented in the Art with the metaphor of animals, for man had not yet been called forth (created). The animals represent COSMIC beings (the so-called KAs or KASHIs of the Egyptian Zep Tepi, who were companions of Atum in the Moment of First Creation (Zep Tepi). Leopards are totems of female cat-goddesses of Egypt, such as Sekhmet and Wadjet.
Their presence indicates that only goddesses were in existence when Atum was born. They were the midwives of his emergence from the womb of Nun. Goddesses were the mothers of the gods. And God (Atum) was born by a Goddess, who is called Nne Chukwu (Mother of God) among the aboriginal Igbos of Nigeria. By the way, the famous NUN River of Egyptian mythology is a Delta river physically located in the Lower Niger area of Nigeria, so too is the celebrated AN/On (Igbo ONU) the Opening into the Bottomless Pit, wch leads into the Underground Duat in the mythical Land of the Dead which the Egyptians called AMANA, BUT WHICH IS ALSO A PHYSICAL PLACE IN IGBOLAND A VILLAGE OF THE DEAD CALLED AMANA BY IGBO NATIVES.
Now i am going to fet into something that has me really confused. This is the second image that was found by mirroring. In the original cave art you can only see its left side which ties in with the left sided 'eye of Ra' posted above...
Who is this? What is it? why is it in the art? Why was it hidden?
45996
There is a lot more to the art, some of it is so 'out there' that when i was writing the book i was questioning myself and everything I'd seen, but i had to carry on and get it all down on paper as it really is an amazing journey.
All said and done, i believe that the art holds the secret to the foundations of the ancient Egyptian culture. Proving it is another thing and this is now my mission.