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PAPER: The Southern Migration of the Sayan Archaeological Complex
Published in the Journal of Indo-European studies Volume 40
http://www.jies.org/DOCS/jies_index/Vol40.html
http://www.clarkriley.com/JIES4034we...a(434-456).pdf
ABSTRACT
The present article covers the problem of the origin of
innovations in the material complex of Harappa in terms of
Northern influences. The Sayan complex of archaeological
cultures of the Early Bronze Age, composed mainly of
descendants of the Afanasyevo and Okunevo tribes, formed a
single archaeological entity which migrated southwards to
the upper reaches of the Indus River and further westwards to
eastern Anatolia. The spread of the influence of the Sayan
complex over vast regions was based not only on the
technologies new for that period but also on its powerful
ideological impact on the local population. We can select a
set of the most important evidence, which accompanied the
“Sayan Archaeological Complex”: 1-images of horned
deities; 2-ceramics with basal motifs; 3- chariots and methods
of horse harnessing; 4- Okunevo petroglyphs found along the
Karakorum high road not far from Harappa; 5- some common
features in material culture such as types of knives, pottery,
burials in stone cists. During the movement ethnic groups of
different origin flowed into the migration stream. The
Okunevo population dominated this complex of people,
providing an ideological influence on others and uniting all
into one super-ethnos, under a single ethnonym – Arya.
KEY POINTS
As often occurs in science, substantial evidence on
the migration of the northern complex to India was long
ago discovered and published, but for unknown (or
unclear) reasons this evidence has not evoked an adequate
response in the appropriate fields of studies.Ernest Mackay, who published the mask from Harappa
and the “priest” figure from Mohenjo-daro, pointed out
that they in no way correspond to the local small plastic art
traditions and held them as imports. Of the Harappan
terracottas proper, a minutely developed canon is
characteristic: these are female statuettes with luxuriant
locks and round eyes rendered with appliqués or pits.
Against such a background, the maskoids and “priests” are
noteworthy precisely because of their peculiarity.
According to Mackay, these statuettes are of a distinctly
Mongoloid appearance and differ sharply in their facial
type from the ordinary examples. They were retrieved from
one of the lowest strata of the city and suggest that its
population may have had an admixture of Mongoloid blood
introduced, possibly, by newcomers from the North-West,
or perhaps from the Iranian Plateau where, during
excavations in Tepe Hissar, several very ancient Mongoloid
skulls were found (Mackay 1951:133).it should be recalled that the
anthropological type of the Okunevo people combines
peculiarly Mongoloid and European features. Among these
traits, researchers lay stress on the massive facial skeleton,
brachycrania and, simultaneously, a fairly sharp profile of
the face. The anthropological type of the figures represented on the maskoids and
sculptures of priests, as it seems, also displays a European-
Mongoloid crossbreeding, since the presence of thick
beards speaks against a purely Mongoloid populace (Figure
5: 5, 6).
As one can see in the drawings presented, the
Okunevo people bred horses with different constructions
of bridle. The horses from Lebyazhye, as well as those from
a Sulek rock engraving (Figure 6, 1:5), have a short
bristled mane like that of the Przewalski horse. At the
same time, the two horses both have long hair in the tail
running from its buttocks. These features suggest that we
see a kind of hybrid of wild horses subjected to only the
initial stage of domestication. Another indication of
hybridization – thick forelocks – is found in the petroglyph
at Izirykh-Tas (Figure 6, 1:10). Here a horse is depicted
with long legs, small head, and curved neck, which
distinguishes it advantageously from neighboring figures.The funerary complex discovered in northern India,
in the Swat Valley, or the so-called “Gandhara grave
culture” has turned out to be the closest in terms of its rite
to the burials of the Sayan complex.
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