Kant, in his Prolegomena to Every Future System of Meta-*
physics, states very carefully that all our thinking about final things*
can be only by way of analogy. "The proper expression for our*
fallible mode of conception," he declares, "would be: that we*
imagine the world as if its being and inner character were derived*
from a supreme mind" (italics mine). 14*
Such a highly played game of "as if" frees our mind and spirit,*
on the one hand, from the presumption of theology, which pre-*
tends to know the laws of God, and, on the other, from the bond-*
age of reason, whose laws do not apply beyond the horizon of*
human experience.*
I am willing to accept the word of Kant, as representing the*
view of a considerable metaphysician. And applying it to the*
range of festival games and attitudes just reviewed from the*
mask to the consecrated host and temple image, transubstanti-*
ated worshiper and transubstantiated world I can see, or be-*
lieve I can see, that a principle of release operates throughout the*
series by way of the alchemy of an "as if"; and that, through this,*
the impact of all so-called "reality" upon the psyche is transub-*
stantiated. The play state and the rapturous seizures sometimes*
deriving from it represent, therefore, a step rather toward than*
away from the ineluctable truth; and belief acquiescence in a*
belief that is not quite belief is the first step toward the deep-*
ened participation that the festival affords in that general will to*
life which, in its metaphysical aspect, is antecedent to, and the*
creator of, all life's laws.*
Primitive Mythology
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