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Thread: 10 Facts About the Belle Époque

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    Default 10 Facts About the Belle Époque

    10 Fascinating Facts About the Belle Époque

    Source: http://fiveminutehistory.com/10-fasc...=socialnetwork



    The Belle Époque was an era of peace and plenty between wars

    The French expression Belle Époque was used in retrospect after the horrors of World War One—a term of nostalgia for a simpler time of peace, prosperity, and progress.



    At the beginning of the Belle Époque, France was recovering from defeat in the Franco-Prussian War—a defeat of staggering proportions. In just 9 months, France suffered 138,871 dead, 143,000 wounded, and 474,414 captured—a total that was more than six times that of the Prussian opposition.


    The Rifle Battalion 9 from Lauenburg at Gravelotte by Ernst Zimmer

    In the wake of the Franco-Prussian War, Paris would suffer again through the Commune—a short-lived internal conflict between radical revolutionaries and the French Government. More tragedy and more loss, with estimates ranging from 7,000-20,000 revolutionary “Communards” killed.

    Between the Paris Commune and the German heavy artillery bombing, Paris was a mess by the time a ceasefire was signed.


    The ruins of the Hôtel de Ville (City Hall) after the Paris Commune (May 1871)

    At the end of the Belle Époque, the winds of war were once again in the air. This time, it would be a thousand times worse.

    One look at the devastation—hell on earth—and it’s easy to imagine every French soldier huddled, shivering in the filth of trench warfare, trying desperately to cling to the distant memory of a beautiful time—the Belle Époque.


    Chateau Wood Ypres, Belgium, 1917

    It was a global phenomenon

    Similar periods of economic growth were experienced in Britain during the late Victorian and Edwardian eras, in Germany under Kaiser Wilhelm I and II during the German Reich, in Russia under Alexander III and Nicholas II, in the United States in a period called the Gilded Age, and in Mexico during the Porfiriato.

    Austrian-turned British, and Jewish banker, Baron Ferdinand de Rothschild’s weekend retreat of Waddesdon Manor in Buckinghamshire—built between 1874 and 1889—epitomizes the excesses of the era’s aristocracy in Britain.


    Top: Waddesdon Manor, Buckinghamshire, England. Image credit GavinJA. Bottom left: The Concert by James Tissot. Bottom Right: Londoners outside Harrods, 1909.

    Russian aristocrats enjoyed waltzing the night away at lavish balls in St Petersburg.


    Ball for St. Petersburg Nobility by Kardovsky

    The Porfiriato was an era when Porfirio Díaz was president of Mexico from 1876-1911. He promoted order and progress that modernized the economy and encouraged foreign investment. The Porfiriato ended in 1910 with the outbreak of the Mexican Revolution.


    During the late 19th century and very early 20th, this theatre was the site of most of Mexico City’s high culture, presenting events such as theatre, operettas, Viennese dance and more.

    The Gilded Age was a period of rapid economic growth in the United States—an era when anyone was a potential Andrew Carnegie, and Americans who achieved wealth celebrated it as never before.


    Biltmore Estate in Asheville, North Carolina, built between 1889 and 1895, is the largest privately owned house in the United States. Image credit RLTerry.

    It was an era of huge urban population growth


    In the 39 years preceding 1911, the population of Paris grew by 64%. By the end of the Belle Époque, the population of Paris was higher than it is today.


    Paris in 1897 – Boulevard Montmartre, by Camille Pissarro


    Boulevard des Capucines by Claude Monet, 1883


    New York’s population increased by 2 1/2 times from 1870 to 1900.


    New York City’s Fifth Avenue bustling with horse-drawn traffic and two motor cars, 1900

    Chicago experienced even greater growth, with a staggering ten-fold increase in population between 1870 and 1900.



    The Belle Époque was an era of progress and prosperity

    With the humiliating defeat in the Franco-Prussian war a distant memory, the Paris Expositions of 1878, 1889 and 1900 celebrated France’s recovery.

    At the Exposition of 1878, the gardens of the Trocadéro displayed the full-size head of the Statue of Liberty, before the statue was completed and shipped to New York.


    Head of the Statue of Liberty in the gardens of the Trocadéro, 1878

    Gustave Eiffel’s thousand-foot tower was symbolic of just how far France had come. It was the tallest manmade structure in the world and stood at the entrance to a showcase of French ingenuity and engineering mastery.


    Paris Exposition Champ de Mars and Eiffel Tower, Paris, France, 1900

    An equally significant building was the Machinery Hall. At 111 meters (364 ft), it spanned the longest interior space in the world at the time.


    Central Dome of the Gallerie des Machines, Exposition Universelle de Paris, 1889, by Louis Béroud (1852-1930).

    It was an era of cultural exuberance


    Marked by the red windmill on its roof, the Moulin Rouge is considered the spiritual birthplace of the modern version of the can-can dance.


    The Moulin Rouge at midnight

    Befitting the decadence of the times, the dance was considered scandalous and there were even attempts to repress it. Women wore pantalettes, which could be unintentionally revealing.


    Depiction of the can-can by Henri de Toulouse-Lautrec, 1895

    The club’s decor still holds the romance of fin de siècle (end of the century) France.


    At the Moulin Rouge, The Dance by Henri de Toulouse-Lautrec, 1890

    It was an era of rich and poor


    Paris was both the richest and poorest city in France. An 1882 study of Parisians concluded that 27% of Parisians were upper- or middle-class while 73% were poor.


    Paris workers unloading flour. Louis-Robert Carrier-Belleuse, 1885

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    During America’s Gilded Age, the wealthiest 2% of American households owned more than a third of the nation’s wealth, while the top 10% owned roughly three quarters.


    “The protectors of our industries”. Cartoon showing Cyrus Field, Jay Gould, Cornelius Vanderbilt, and Russell Sage, seated on bags of “millions”, on large heavy raft being carried by workers.

    In New York, the opera, the theatre, and lavish parties consumed the ruling class. Mrs. Stuyvesant Fish once threw a dinner party to honor her dog who arrived sporting a $15,000 diamond collar.

    In 1890, 11 million of the nation’s 12 million families earned less than $1200 per year; of this group, the average annual income was $380—well below the poverty line.

    It was an era of scientific and technological advancement

    The second wave of the industrial revolution seized the world.

    Along came cameras, electric lights, the telephone, the gramophone, the automobile, and the dawn of air travel.

    When Queen Victoria invited herself to Rothschild’s Waddeston Manor, it is said she was so impressed with the electric lighting that she spent 10 minutes switching an electric chandelier on and off.


    William H. Taft learns by telephone of his nomination for president, 1908


    Louis Pasteur in his laboratory, painting by A. Edelfeldt in 1885


    The first illustration of Benz’s Patent-Motorwagen was published in 1888 in the Leipziger Illustrierten Zeitung

    An era of art and architecture


    Although the architecture of the Belle Époque combined elements from several styles, the predominant architectural style was Art Nouveau.

    A reaction to the academic influence of the Académie des Beaux-Arts, Art Nouveau (“new art”) was inspired by the natural forms and structures of flowers, plants, and curved lines. Architects tried to harmonize with the natural environment.


    Art Nouveau building in Paris by architect Jules Lavirotte, sculptures by Jean-François Larrivé (1875–1928)


    The art nouveau Le Grand Café, Place d’Allier, Moulins, France


    Hector Guimard’s original Art Nouveau entrance of the Paris Métro in Abbesses station

    The Paris Exposition Universelle of 1900 was an Art Nouveau extravaganza.


    Paris Exposition Palace of Electricity, Paris, France, 1900

    The Belle Époque was an era of fashion


    Jeanne Paquin was one of several fashion designers of the Belle Époque. She became known for her publicity stunts including sending her models to the races and the opera to get her designs noticed.


    ‘Five Hours at Paquin’s’ by Henri Gervex, 1906



    It was an era of Imperialism

    The “Scramble for Africa” was a race by European powers to colonize as much of Africa as possible in the latter part of the 19th century.

    African land under European control went from 10% in 1870 to 90% in 1914.


    Scramble for Africa 1880.


    Scramble for Africa 1913.

    By the end of the 19th century, Africa was one of the last regions of the world unaffected by Imperialism. That was about to change.

    France and Britain in particular carved out huge swathes of land, with France concentrating on Northwest Africa and Britain wanting the eastern ports as stopovers for it’s Indian and Asian trade routes.

    Cecil Rhodes was the man behind Rhodesia (now Zimbabwe) and the world-famous de Beers diamond company. His British South Africa Company acquired the land during the Belle Époque.


    The Rhodes Colossus: Caricature of Cecil John Rhodes, after he announced plans for a telegraph line and railroad from Cape Town to Cairo.

    The Belle Époque was a beautiful era, but as Mark Twain described the Gilded Age, it was a thin veneer hiding systemic problems—discontent among the working classes, political tensions between nation states, militarism, imperialism, and to top it all, an unyielding arms race that by 1914 was a bubble about to burst. All that was needed was a trigger event.

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    Paris 1900 La Belle Epoque l'Exposition Universelle

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