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Thread: Mucha Do About Art Nouveau

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    Default Mucha Do About Art Nouveau

    Mucha Do About Art Nouveau

    Source: http://fiveminutehistory.com/mucha-d...t-art-nouveau/



    The rags to riches story of Czech Art Nouveau artist Alphonse Mucha.


    Living alone in Paris in 1894, Alphonse Mucha barely made enough money to feed himself.


    Alphonse Mucha Self Portrait, 1899

    There had been better times. Back home in Moravia, he had worked in a castle restoring portraits and decorating rooms with murals. Those were the days. His employer, the Count, had encouraged Mucha to take formal studies and had provided financial support.

    Now, at 34, with his savings gone, Mucha was scraping a living from his artwork, taking small commissions from magazine pictures, designs for costumes in operas and ballets, and book illustrations.

    But his fortunes were about to change.

    Just before Christmas 1894, he happened to drop into a print shop and heard that Sarah Bernhardt—the most famous actress in Paris—was starring in a new play, Gismonda.


    Sarah Bernhardt by Félix Nadar

    The promoters needed a poster to advertise the production, and so Alphonse Mucha offered to deliver a lithograph in two weeks.

    It was an overnight sensation. Bernhardt was so pleased with the success of this first poster that she offered him a six-year contract.

    Alphonse Mucha had brought Art Nouveau to the people of Paris.


    Poster for Victorien Sardou’s Gismonda starring Sarah Bernhardt at the Théâtre de la Renaissance in Paris., 1894

    For the next 10 years, Alphonse Mucha kept busy with commissions for posters, book illustrations, programs, and calendars.

    Abounding with ornamental pictorial elements with crisp curvilinear contours, the stylized graceful women of “Style Mucha” became synonymous with the whole Art Nouveau movement.


    Spring, Summer, Autumn, and Winter by Alphonse much, 1896

    Mucha’s work captured the worldliness and decadence of the fin de siècle and the belle époque—a time when Paris was the resplendent cultural capital of the world.


    Dance by Alfons Mucha, 1898


    Zodiac by Alphonse Mucha


    Poetry by Alphonse Mucha


    Byzantine Heads – Brunette by Alphonse Mucha


    Biscuits Lefèvre-Utile by Alphonse Mucha, 1896


    Monaco Monte Carlo by Alfons Mucha


    Bières de la Meuse by Alphonse Mucha


    Advertising poster for Chocolat Idéal by Alfons Mucha


    Flower by Alphonse Mucha, 1897

    Mucha grew up in a small village in Moravia in what is now the Czech Republic. When he was a boy, it was part of the Habsburg Empire. Poverty and suffering were a part of everyday life—five of Mucha’s brothers and sisters died from tuberculosis.

    Coming from a deeply religious family, the Church was a big influence on Mucha’s early life. From church decorations to the mysticism of religion, he remained fascinated by spiritualism throughout his life and even dabbled in the occult.


    The Municipal House Ceiling by Alphonse Mucha, Prague


    Mucha’s stained glass window in St. Vitus Cathedral inside Prague Castle


    An illustrated page from Le Pater by Mucha


    After Paris, Mucha spent four years in the United States before returning to his home country, settling in Prague.

    He started work on a fine art masterpiece—a history of the Slavic peoples. Called The Slav Epic, it comprises 20 huge canvases up to 26 ft wide and 20 ft high.


    Mucha’s The Slav Epic, 1911


    The Slave Epic – The coronation of the Serbian Tsar Stefan Dušan as East Roman Emperor (1926)


    Apotheosis of the Slavs history by Alfons Mucha (1926)


    When the Nazis occupied Czechoslovakia in 1939, Mucha was among the first to be arrested. Weakened by interrogation and suffering from pneumonia, he died shortly after being released.

    But his art lived on in the hearts of admirers the world over.

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    Default The Slav Epic was Alphonse Mucha’s Art Nouveau masterpiece.

    The Slav Epic was Alphonse Mucha’s Art Nouveau masterpiece.

    Source: http://www.thevintagenews.com/2017/0...apo-in-1939-2/

    Alfons Maria Mucha (24 July 1860 – 14 July 1939), also known as Alphonse Mucha, was a Czech painter known for his distinctive colorful style, depictions of women, as well as other paintings, illustrations, postcards and advertisement designs.

    Along with Gustav Klimt, Aubrey Beardsley, Antoni Gaudí and Henri de Toulouse, he is a major figure in the artistic “new wave” movement called “Art Nouveau,” that is playfully characterized by intricate linear designs and flowing curves based on natural forms. This movement was very popular from the 1890s until its decline after the First World War.


    Alphonse Mucha, photographed around 1906

    He was born in the town of Ivančice, Moravia, which is now a region of the Czech Republic. As a child, he spent his time as a choirboy at the Saint-Peter Cathedral in Brno, since he had quite the talent for singing. He had his first glimpse of high-style art in the Baroque church and since then drawing became his main hobby.


    Biscuits Lefèvre-Utile. 1896

    Mucha was painting theatrical scenery and backgrounds as a decorative painter in Moravia, honing his skills that would come in handy afterwards. In 1879, he moved to Vienna to work for a large theater design company, but in 1881 a fire burned down the business and he had to go back to Moravia. From there he worked as a freelance decorator and painter.


    Nestlé’s Food for Infants. 1897

    He married Maruška Chytilová in Prague on 10 June 1906. The couple visited the U.S. from 1906 to 1910, and there they had a daughter named Jaroslava. Their son, Jiří, was born in Prague in 1915. Jiří Mucha would later become a journalist, writer, screenwriter, and an author of autobiographical novels that would revive the importance of his father’s work.

    When Czechoslovakia claimed independence after WWI, Mucha was responsible for designing and making new postage stamps, government documents and even new banknotes for the newly born state.


    Mucha’s design on a 100 korun note. The Republic of Czechoslovakia. 1920


    Jaroslava Mucha, the artist’s daughter. 1920

    His formal artistic education began when Mucha impressed a prominent count named Karl Khuen of Mikulov after decorating the murals and walls of Hrušovany Emmahof. The count was pleased with the work and he sponsored Mucha’s formal training at the prestigious Academy of Fine Arts in Munich. In 1887, Mucha moved to Paris to study at Académie Julian and Académie Colarossi, where he learned new skills like illustrating advertisements and magazines.


    Autumn from The Four Seasons. 1896

    Mucha is most known for his artistic depictions of women on posters and advertisements for absinthe, but his first big time in the painting business was when he found out that an advertisement poster was needed for a play called “Gismonda,” around Christmas in 1894.

    The famous actress, Sarah Bernhardt, was acting at the Théâtre de la Renaissance on the Boulevard Saint-Martin, and he volunteered to produce a lithographed poster for the play, where his work gained much attention.


    The theatrical poster for Gismonda. 1894

    Bernhardt was so satisfied with the success of this first poster that she began a six-year contract with Mucha.

    Now that the new movement had garnered much attention, Mucha was tirelessly producing a flurry of paintings, posters, advertisements, and book illustrations, as well as designs for jewelry, carpets, wallpaper, and theater sets. In the beginning, this form of art was termed The Mucha Style, and he himself was regarded as a forerunner for what became known as Art Nouveau.


    “Dance” from “The Arts”. 1898

    Mucha never wanted to associate himself with this newly born art movement, and he only wanted to communicate a spiritual message, insisting his paintings were entirely a product of his own imagination and Czech art. He expressed his rage and frustration because of all the rapid fame he gained throughout his art. He was also a restorer of Czech freemasonry.


    Prinzessin Hyazinthe – 1911

    His works included beautiful young women, adorned with flowers and halos on their heads. The colorful patterns and lush backgrounds quickly caught the eyes of many people, gaining him even more reputation and recognition.


    Advertisement for Heidsieck and Co. A French champagne house. 1901

    Le Pater was considered to be his printed masterpiece, and was his most beloved art piece as he “put his soul into it.” It was printed on 20 December 1899, as an occult examination of the themes of The Lord’s Prayer. Only 510 copies were made.


    Advertisement for “Job Cigarettes”

    Le Pater may be Mucha’s favored piece, but his famous “The Slav Epic (Slovanská Eepopej)” was considered his most famous masterpiece. The Slav Epic is a series of twenty paintings, depicting the history of the Slavic people as a celebration of their culture. It was on display in the Moravský Krumlov chateau in the South Moravian Region in the Czech Republic, from 1963 to 2012 . Since 2012, it has been on display at the National Gallery of the Veletržní Palace in Prague.


    Overview of Veletržní Palác with The Slav Epic, in Prague.

    The rise of fascism during the 1930s marked the start of Mucha’s downfall. When German troops started deploying in 1939, he was among the first arrested by the Gestapo, because of his artwork depicting Slavic people and Czech nationalism.


    Untitled (seated woman with coffee cup). Watercolor

    The harsh interrogation and harassment from the Gestapo officers caused serious problems for the renowned artist, and he quickly became ill with pneumonia, along with other health problems. He was released, but the stress and mistreatment got the best of him. Mucha didn’t live to see the rise of Nazism and died from a lung infection in Prague on the 14th of July in 1939.


    Monaco Monte Carlo

    Mucha’s legacy enjoys great popularity today, but at the time of his death, his style was deemed too outdated and had no space among the new movements such as Dadaism, along with others that were gaining popularity. His son, Jiří Mucha, devoted his life to writing about the importance of his work and bringing attention to the forgotten style.


    Mucha interior decoration at Georges Fouquet jewelry on rue Royale in Paris

    The colorful and full of life paintings are now well known and have a place in the history of art, as the neo-classical clothed women with halos on their heads and flowers around them stay in the minds of many. Stained glass windows, postcards, advertisement posters, and even money that portray Mucha’s art are all over Europe’s cafés and bars.

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