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Kazimiera
08-14-2015, 08:19 PM
What is Ikebana?

Source: http://www.ikebanahq.org/whatis.php

http://www.hf.uio.no/ikos/english/research/network/ikos-austin-collaboration/Events/conferences-and-events/ikebana.jpg

Ikebana is the Japanese art of flower arrangement. It is more than simply putting flowers in a container. It is a disciplined art form in which the arrangement is a living thing where nature and humanity are brought together. It is steeped in the philosophy of developing a closeness with nature.

As is true of all other arts, ikebana is creative expression within certain rules of construction. Its materials are living branches, leaves, grasses, and blossoms. Its heart is the beauty resulting from color combinations, natural shapes, graceful lines, and the meaning latent in the total form of the arrangement. Ikebana is, therefore, much more than mere floral decoration.

The growing appreciation of Japanese art and architecture in the West has extended to the Japanese way with flowers. Ikebana is an art, in the same sense that painting and sculpture are arts. It has a recorded history; it is backed up by articulate theories; and it is concerned with creativity. In Japan, flower arrangements are used as decorations on a level with paintings and other art objects.

Ikebana and the Japanese love of nature

The remarkably high development of floral art in Japan can be attributed to the Japanese love of nature. People in all countries appreciate natural beauty, but in Japan, the appreciation amounts almost to a religion. The Japanese have always felt a strong bond of intimacy with their natural surroundings, and even in contemporary concrete-and-asphalt urban complexes, they display a remarkably strong desire to have a bit of nature near them. Foreign visitors to Tokyo are often surprised to notice that their taxi driver has hung a little vase with a flower or two at the edge of the windshield. The Japanese house that does not at all times contain some sort of floral arrangement is rare indeed.

Nature is always changing. Plants grow and put forth leaves, flowers bloom, and berries are borne regularly and repeatedly throughout the seasons. Nature has its own rhythm and order. The awareness of this is the first step in involving oneself in ikebana.

In principle, ikebana aims not at bringing a finite piece of nature into the house, but rather at suggesting the whole of nature, by creating a link between the indoors and the outdoors. This is why arrangers are likely to use several different types of plants in a single arrangement, and to give prominence to leaves and flowerless branches as well as blossoms. Even when a single type of flower is used, an attempt is made to bring out its full implications as a symbol of nature.

Do men also do ikebana?

Both men and women study this art form. Indeed, in the past, ikebana was considered an appropriate pastime for even the toughest samurai. Currently, the leading flower arrangers are, for the most part, men. Ikebana is not only an art, but an occupation for men and women alike.

Is ikebana difficult?

To say that ikebana is a full-fledged art does not mean that it is esoteric. The greatest creations in the field are apt to be made by the most highly skilled experts, but, as in painting and sculpture, there is plenty of room for amateurs. Almost anyone with a little time and inclination can acquire sufficient skill to make beautiful arrangements. Still, as in the other arts, it is necessary to master certain fundamental techniques before proceeding to free creation.

Spiritual aspects of ikebana

Many practitioners of ikebana feel that the spiritual aspect of ikebana is very important. One becomes quiet when one practices ikebana. It helps you to live "in the moment" and to appreciate things in nature that previously had seemed insignificant. One becomes more patient and tolerant of differences, not only in nature, but more generally in other people. Ikebana can inspire you to identify with beauty in all art forms -- painting, music, etc., and to always expect the best in yourself.

What are ikebana arrangements made of?

The varying forms of ikebana share certain common features, regardless of the period or school. Any plant material -- branches, leaves, grasses, moss, and fruit -- may be used, as well as flowers. Withered leaves, seed pods, and buds are valued as highly as flowers in full bloom.

Whether a work is composed of only one kind of material or of many different kinds of materials, the selection of each element in the arrangement demands an artistic eye. An arranger with considerable technical skill combines materials to create a kind of beauty that cannot be found in nature.


How is ikebana different from flower arrangement?

What distinguishes ikebana from other approaches such as "flower arrangement" is its asymmetrical form and the use of empty space as an essential feature of the composition. A sense of harmony among the materials, the container, and the setting is also crucial. These are characteristics of aesthetics that ikebana shares with traditional Japanese paintings, gardens, architecture, and design.

Kazimiera
08-14-2015, 08:20 PM
Standard Forms and Styles

Source: http://www.ohararyu.or.jp/english/index.html
Source: http://www.oharaikebanasociety.org/StandardForms&Styles.html

BASIC HANA-ISHO

This is a decorative type of ikebana that emphasizes the individual characteristics of materials in compositions for display in the places where people live and work.

1) Rising Form
2) Inclining Form

Special characteristics:

1. It is a free kind of ikebana that even beginners can arrange easily.
2. It is not merely for mastering ikebana techniques, but can be adapted to everyday life, since it is suitable even for small rooms or spaces.
3. The compositions are simple and beautiful, and you can enjoy expressing the beauty of color combinations, form and the seasons.
4. With Hana-isho, you are able to display fully your individuality, because you can arrange the principal and auxiliary stems freely according to the characteristics of the materials.
5. There are two principal stems, the Subject and the Object.

http://www.oharaikebanasociety.org/Images/Ikebana/rising.jpg
Rising form

http://www.ohararyu.or.jp/english/image/photo/cl_isho_inclining_2.jpg
Inclining form


ADVANCED HANA-ISHO

After practicing Basic Hana-isho, the student proceeds to Advanced Hana-isho. Like the Basic forms, Advanced Hana-isho is a kind of ikebana that makes the most of the unique characteristics of the materials in highly decorative compositions created for the places where people live and work. In addition, some forms can be composed to be viewed from one side only, whereas others can be created to be viewed from many sides.

1) Radial Form
2) Linear Form
3) Circular Form
4) Combined form

Special features:

1. They can be created to decorate any kind of space. Possible containers include articles used in daily life.
2. Some arrangements are composed to be viewed only from the front, but multisided arrangements can also be created to harmonize with the space being decorated.
3. While the beauty of color is central to creating Hana-isho, combinations of materials that express seasonal beauty or formal, sculptural beauty are also possible.
4. The length of the main stems and auxiliary stems, their angles and the positions at which they are inserted are free.
5. With the exception of the Combined Form, all forms of Advanced Hana-isho have three main stems, the Subject, the Secondary, and the Object.
6. The Radial Form can be arranged either in a shallow container or in a tall vase.

http://www.ohararyu.or.jp/english/image/photo/cl_isho_radial_2.jpg
Radial form

http://www.oharaikebanasociety.org/Images/Ikebana/linear.jpg
Linear form

http://www.ohararyu.or.jp/english/image/photo/cl_isho_circular.jpg
Circular form

http://www.ohararyu.or.jp/english/image/photo/cl_isho_yosooi.jpg
Combined form


MORIBANA

Originated by the First Headmaster Unshin Ohara, this is ikebana where materials are arranged as if they are piled up in low flat containers with a wide surface area of water. It includes the Color Scheme Moribana, which expresses beauty of color, and the Landscape Moribana, in which the beauty of natural scenery is represented.

In Moribana, as in Advanced Hana-isho, there are three principal stems - the Subject, the Secondary, and the Object. These stems from the basic framework of various styles. Intermediaries called Filler stems, are freely added to the principal stems.
Originated by the First Headmaster Unshin Ohara, this is ikebana where materials are arranged as if they are piled up in low flat containers with a wide surface area of water. It includes the Color Scheme Moribana, which expresses beauty of color, and the Landscape Moribana, in which the beauty of natural scenery is represented.
In Moribana, as in Advanced Hana-isho, there are three principal stems - the Subject, the Secondary, and the Object. These stems from the basic framework of various styles. Intermediaries called Filler stems, are freely added to the principal stems.

There are three Moribana Styles:

1) The Upright Style
2) The Slanting Style
3) The Water-Reflecting Style

http://keithstanley.com/wordpress/wp-content/uploads/2011/11/Basic-upright-style-moribana.jpg
Upright style

http://farm1.static.flickr.com/204/491437838_8e87bdbb30.jpg
Slanting style

https://s-media-cache-ak0.pinimg.com/736x/75/c7/6d/75c76dc49d6861a11a601289d9193892.jpg
Water-reflecting style


HEIKA

Where as Moribana was originated and developed by the Ohara School, Heika, literally "vase flowers," is part of the ancient historical tradition of ikebana. Unlike Moribana, which is done in flat containers, Heika is created in tall, deep containers like vases and pots. The essential difference between the two is the way branches are arranged and fixed in position.

There are three established floral styles in Heika:

1) The Slanting Style
2) The Upright Style
3) The Cascading Style.

http://krunkstar.com/wp-content/uploads/2013/09/DSC05043-966x1024.jpg
Slanting style

http://krunkstar.com/wp-content/uploads/2013/06/DSC04341-584x1024.jpg
Upright style

http://krunkstar.com/wp-content/uploads/2012/07/375688_10151052114232969_236250143_n.jpg
Cascading style


HANAMAI

Hanamai expresses the beauty of plants brought out by their mutual interacting in three dimensional space.

Special characteristics:

There is no distinction between main material and auxiliary materials. Compared with the set floral styles of the Ohara School, Hanamai does not have fixed rules as to the length of stems. In fact, there are no rules governing the size, angle, or direction of materials. To capture the sculptural beauty of the materials, themselves leads naturally to the expression of three-dimensional beauty in Hanamai. Therefore, it is necessary to take a flexible approach and develop a good eye for the colors, forms, and textures of the materials. Different materials may approach, touch, overlap, mix, or interlace with each other to create beauty through contrast or through harmony. The basic standard is to use two materials, while three materials would be the limit.

http://www.ikebana-zen.com/IMG/jpg/00-hana-mai2.jpg


RIMPA ARRANGEMENT

This is a type of ikebana originated by the Third Headmaster Houn Ohara which is based on the highly decorative works of the Rimpa School, which flourished during the Edo Period. The goal is to capture in ikebana the decorative qualities of materials and the overall design effects typical of Rimpa works of art. To this end, the unique characteristics of plants are exaggerated or refined. For the most part, materials used are those found in Rimpa paintings. Mastery of the Rimpa Arrangement depends upon knowledge and study of the original works of the Rimpa artists.

http://www.ikebana-naota.org/photo/victoria/demo_rimpa%20style.jpg


BUNJIN ARRANGEMENT

This is a type of ikebana that is based on a Japanese interpretation of the taste of Chinese bunjin, or literati. It gives much weight to the symbolic use of plants and has an expressive literary quality. Emphasis is placed on the elegance and poetic nature of rare blooms, shrubs and plants. The combination of materials is based on the subjects of the Southern Sung School of Chinese painting. Therefore, it is important to study such paintings as well as the paintings and writings of Japanese bunjin. The Bunjin Arrangement is not bound by floral styles, and materials may be freely arranged to express one's subjective view of plants.

http://www.ohararyu.or.jp/english/image/photo/cl_bunjin_4.jpg