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Joe McCarthy
01-25-2011, 06:48 PM
http://www.calvin.edu/academic/cas/gpa/superman.htm


Background: Early in World War II, the Superman comic book published an episode in which Superman demolished part of the German West Wall with France. A copy found its way to Das Schwarze Korps, the weekly newspaper of the SS. It naturally was not pleased. The original article included excerpts from the comic book. Thanks to Ilpo Lagerstedt from Helsinki, who sent me the photocopy of the article, and to Christopher Borden, who informed me of this link to comic book referred to in the article.

The source: Das schwarze Korps, 25 April 1940, p. 8.




Jerry Siegel Attacks!

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Once there was a man who was so strong that he could stop a speeding locomotive with his ring finger, but he didn’t do it.

—Folk tale from Des Moines, Iowa, USA

Siegellack stinks! [Literally “Sealing wax stinks, but also a pun on Siegel’s name]

—Proverb from Massachusetts



Jerry Siegel, an intellectually and physically circumcised chap who has his headquarters in New York, is the inventor of a colorful figure with an impressive appearance, a powerful body, and a red swim suit who enjoys the ability to fly through the ether.

The inventive Israelite named this pleasant guy with an overdeveloped body and underdeveloped mind “Superman.” He advertised widely Superman’s sense of justice, well-suited for imitation by the American youth.

As you can see, there is nothing the Sadducees won’t do for money!

Jerry looked about the world and saw things happening in the distance, some of which alarmed him. He heard of Germany’s reawakening, of Italy’s revival, in short of a resurgence of the manly virtues of Rome and Greece. “That’s fine,” thought Jerry, and decided to import the idea of manly virtue and spread them among young Americans. Thus was born this “Superman.” On this page we present you with several particularly unusual examples of his activities. We see Superman, lacking all strategic sense and tactical ability, storming the West Wall in shorts. We see several German soldiers in a bunker, who in order to receive the American guest have borrowed old uniforms from a military museum. Their faces express at once both desperation and cheerfulness. We see this bicepped wonder in a rather odd pose, bending the barrels of Krupp guns like spaghetti. “Concrete can’t stop me,” he shouts in another picture as he knocks the tops off pill boxes like overripe tomatoes. His true strength only shows itself in flight, however. He leaps into the air to tear the propeller from a passing German airplane. As we can see from the next frame, however, Superman has apparently made a mistake, since he seems to have encountered a Yid pilot. No German would say what the pilot says: “Himmel! Vos is diss?” The American answer “Well, here it is” seems to us not quite right. The right response would be something like “Laff if ya likes, I’m Simple Simon!” [The best I can do at translating “Se wern lachen, jach bin der klaine Moritz!”].

A triumphant final frame shows Superman, the conquerer of death, dropping in at the headquarters of the chatterboxes at the League of Nations in Geneva. Although the rules of the establishment probably prohibit people in bathing suits from participating in their deliberations, Superman ignores them as well as the other laws of physics, logic, and life in general. He brings with him the evil German enemy along with Soviet Russia.

Well, we really ought to ignore these fantasies of Jerry Israel Siegel, but there is a catch. The daring deeds of Superman are those of a Colorado beetle. He works in the dark, in incomprehensible ways. He cries “Strength! Courage! Justice!” to the noble yearnings of American children. Instead of using the chance to encourage really useful virtues, he sows hate, suspicion, evil, laziness, and criminality in their young hearts.

Jerry Siegellack stinks. Woe to the American youth, who must live in such a poisoned atmosphere and don’t even notice the poison they swallow daily.

Magister Eckhart
01-25-2011, 07:02 PM
Fact: "Superman" is a Jewish wish-fulfilment fantasy.

Well, what would you expect? With the Nazis in power in Germany and people ignoring reports from Europe regarding the treatment of the Jews (the New York Times put an article on page 11 in a 1940 issue about the internment of Jews in concentration camps, something the Jews in America were not too happy about - they wanted it on page 3 at least) the Jews needed something to make them feel better about things, so they made Superman. The fact that he made a good amount of money at it was also a bonus.

And seriously, let's think about Superman's counterpart, Captain America:

http://upload.wikimedia.org/wikipedia/en/2/27/CAtransformation.png

He's a thoroughbred Nordic. This is the hero America wanted; the creators of Superman couldn't escape from reality with that kind of character.

SwordoftheVistula
01-26-2011, 06:13 AM
http://www.evcomics.com/wp-content/uploads/2008/09/Eli.Valley.Jews_.and_.Comics.jpg

Debaser11
01-26-2011, 08:45 AM
Comics are laced with propaganda (much of which has its roots in predominantly Jewish intellectual movements) going all the way back to around WWII. Superman definitely has a charm to it due to it's old-fashioned American aesthetic.

Did any of you guys see Brian Singer's Superman? In the movie, there was a part where I think Jimmy Olsen and Perry White (Kent's boss) were sort of going into that whole Superman tagline we all remember:

"He stands for truth, justice, and the American way."

Well in the recent film, it was interesting how Hollywood worked their anti-American liberal sensibilities into it. Instead of the above, Jimmy Olsen (I think) starts reciting the tag and just as gets to "and the," a jaded Perry White interrupts him and says, "yeah, yeah, and all that other stuff."

I mean, wow. They couldn't even bring themselves to be slightly pro-American in movie about a character historically centered around pro-American rhetoric and imagery. I'm surprised they didn't alter "justice" to "social justice." lol

A little side-tangent here:

The left-wing angles within comics are now are so obvious (Captain American now rationalizes terrorist actions against America) as to render the current American product completely uninspired which contrasts greatly with the traditional themes that can still be found in something like Japanese manga. Is it any wonder that not just younger children, but older readers are drawn to this foreign genre over American comics these days? See what political correctness does? It ruins everything. Even stuff that is supposed to be "just for fun."

And really, do you think the current mass preference for Japanese comics all comes down to just aesthetics regarding certain male-targeted titles? I don't. Not deep down at the real heart of it for some readers, at least. There is real heart to some mangakas' stories (many which are not only blatantly about ethnocentic conflict, but glorify it in a traditional way) next to American ones even if the readers themselves can't identify what it is.

X-Men is a prime example of the equality mythos being thrusted onto American society in entertainment form. Marvel unabashedly frames Xavier as MLK and Magneto as Malcolm X. (It's funny; even as a young, less critical reader, I always thought Magneto wanting freedom of association on Asteroid M and Avalon was completely justified. But rather than explore that issue, the writers would always make Magneto inexplicably do something immoral to justify an X-Men invasion of his newly established mutant "homeland," thus avoiding the philosophical question of whether his separation was justified or not altogether.) I also recall Marvel pushing anti-aparteid politics onto young readers with the Genosha storyline (they made the place look like South Africa and I think even used the phrase "mutant aparteid") where the evil humans were "oppressing" the mutant population. Of course, no stories were ever published to my knowledge that linked the X-Men's or other mutant's struggles to the Palestinian struggle. But maybe I'm wrong, there.

X-Men also started pushing the diversity angle hard in the late 1970s with characters like Storm (from Africa), Nightcrawler (Germany), Thunderbird (Amerindian), Colossus (Russian), and Wolverine (Canada). So at that point they de-emphasized the American nationality of the superhero team even if it was still racially pretty white.

But by the 1990s, they had more characters like Ricktor (Mexican), Sunspot (Brazilian), and Bishop (African American). I only named three there, but I could seriously dig out my old cards and name a whole multi-cult roster of heroes. And I think this has all definitely played some small role in getting Americans to accept foreigners at the expense of the old culture. I can still enjoy X-Men if I don't think about its bullshit philosophical backdrop too much.

Of course, Marvel and DC alike have also catered to feminist sensibilities by making a "girl" or "women" version of all their flagship male superhero readers despite the fact that women traditionally don't read superhero comics. This leads me to believe that conditioning of young boys was the primary goal despite the risk of making something that seems like a total flop on the surface. (Seriously. Can you imagine a less appealing, less intrinsically marketable character than something like She-Hulk? *shudder*) But such titles were all very useful to get men used to the idea that women are the same.

In closing, I think it's very hard for the modern Western male to conceive of what a hero has traditionally meant for thousands of years because it is comicbooks that now largely qualify as American mythology in a lot of ways and most of the modern post-WWII stories center around protagonists that have an inherently left-wing view of the world even if the outright political message in each story varies from subtle to in-your-face.

Joe McCarthy
01-26-2011, 06:34 PM
Originally Posted by The Wagnerian
And seriously, let's think about Superman's counterpart, Captain America:


Yes, and Captain America was created by a Jew too - and in direct response to WW2.

Magister Eckhart
01-26-2011, 10:50 PM
Yes, and Captain America was created by a Jew too - and in direct response to WW2.

That is news to me. I always thought CA was the gentile counterpart to Superman. I suppose that puts a rather big hole in my proposed hypothesis about the origins of Superman.

Groenewolf
01-27-2011, 04:47 AM
That is news to me.

You did not know that Stan Lee (http://en.wikipedia.org/wiki/Stan_Lee) is Jewish?

Debaser11
01-27-2011, 04:56 AM
So is Jack Kirby. Actually, I'm sure we could make a huge list of Jewish comicbook writers. Along with Hollywood, comicbooks probably rank among the largest Jewish cultural contributions.

Magister Eckhart
01-27-2011, 12:37 PM
You did not know that Stan Lee (http://en.wikipedia.org/wiki/Stan_Lee) is Jewish?

I didn't, but, to be honest, I never really looked into it. I guess one learns something new every day.

Joe McCarthy
01-27-2011, 08:17 PM
The creator of Captain America is Joe Simon. Jack Kirby was the co-creator.

Both Jews, and Captain America was created essentially as pro-war propaganda to get the US into the war, even by Simon's admission. The comic was the most popular during the war years, and featured numerous instances of Captain America taking on the Axis powers.

Óttar
01-27-2011, 09:04 PM
What about Robert Crumb (My favourite)? He has a lot of racist and supposedly "misogynistic" comics. He was a big fan of Jewish women and had Jewish girlfriends. He probably liked them because they were aggressive and pushy.

http://www.heretical.com/miscella/rcjoa1b.gif

http://www.heretical.com/miscella/rcjoa2b.gif

http://www.heretical.com/miscella/rcjoa3b.gif

Eldritch
01-28-2011, 12:54 PM
Crumb's work isn't necessarily "racist", just uncompromisingly counter-cultural.

CelticViking
04-21-2012, 05:24 AM
Aquaman and Batman were made by Jews too ?