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Thread: The living Descendants of the Ancient Egyptians/Legacy

  1. #11
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    Are you Game Theory?

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    Call me "Doctor" Hanibalas Lekteris's Avatar
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    ROFL, I subscribed to this thread... Why not have a good laugh after all?
    Rudeness is an epidemic.

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    Quote Originally Posted by Hanibalas Lekteris View Post
    ROFL, I subscribed to this thread... Why not have a good laugh after all?
    Well I am not saying that he is right but try to argue his points. Would be interesting.

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    Veteran Member Methmatician's Avatar
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    Quote Originally Posted by Hanibalas Lekteris View Post
    Your theory makes no goddamn sense, you realise that don't you?
    Like pretty much every genetic theory posted on this forum

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    Call me "Doctor" Hanibalas Lekteris's Avatar
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    Quote Originally Posted by Methusalem View Post
    Well I am not saying that he is right but try to argue his points. Would be interesting.
    Lol, where to start?
    I've been continually laughing my @ss off since I saw this thread

    Most of the stuff he quotes doesn't even warrant his funny theories, that's for a start.
    Rudeness is an epidemic.

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    Quote Originally Posted by Hanibalas Lekteris View Post
    Lol, where to start?
    I've been continually laughing my @ss off since I saw this thread

    Most of the stuff he quotes doesn't even warrant his funny theories, that's for a start.
    I didn't read most of it...some things make no sense while others might be true.

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    Call me "Doctor" Hanibalas Lekteris's Avatar
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    Quote Originally Posted by Methusalem View Post
    I didn't read most of it...some things make no sense while others might be true.
    I read most of it, some of it is taken from peer-reviewed papers, others from DNA Tribes digest... Others still from well known linguists (such as Guthrie).

    The fact is that his sources don't imply any of what he claims, simple really

    He even cites Théophile Obenga, a well-known pseudo-intellectual whose theories actually contradict what he asserts regarding Hebrews.
    Rudeness is an epidemic.

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    Ethnic names in the Mdu Ntr (Kemet/Egypt)

    Tutsi
    Tutsi "the assembled gods"; "all of them (gods)"

    Akan
    Akan - the name of a god
    Akaniu - a class of gods like Osiris

    Fante
    Fante - "he of the nose" - a name of Thoth - one of the 42 judges in the Hall of Osiris ("Shante" in modern Egyptian)

    Hausa
    Hosa - a singing god
    (The Sahidic Coptic word for 'to sing; song' is Hos. Note: There are also towns in Ethiopia & Angola named 'Hosa'.

    Yoruba
    Ourbaiu - great of souls, a title of gods or kings
    Ouruba - Great God of soul

    Fulani
    The word for Fulani in Wolof is Pël, from this the French derived Peul
    Paal - a Kushite god; a form of Ra

    Twi (an Akan linguistic group)
    Twi - the name of a god

    Oromo
    Oromo is derived from 'orma' - person to 'oromo' - people in the Oromo language
    Orma ; Oromo - the name of a god

    Edo
    Edo - name of a god; also a city in Keme

    The Bini, the original people and founders of the Benin empire (aka, Edo empire)
    Binni - a phallic god


    THE GREAT GOD

    THE KISWAHILI-BANTU RESEARCH UNIT

    FOR THE ADVANCEMENT OF THE ANCIENT

    EGYPTIAN LANGUAGE


    Faulkner 64

    Ancient Egyptian: wr master

    Kiswahili-Bantu: waria, a skilled person, an expert, a capable person, a champion, a master at his work

    WARIA

    The Kiswahili-Bantu word waria is an interesting word for it relates to a person who is exceedingly capable and therefore is considered to be a star, a champion or a great person. A waria is a master craftsman who is skilled at his craft. This fits in well with the Ancient Egyptian description given by Faulkner, above and below, for the consonants wr meaning 'master'. Other Ancient Egyptian descriptions include 'great one' or chief as seen here and below:

    Faulkner 64

    wrgreat one

    There are various descriptions relating to the word waria and Budge page 170a gives various descriptions of the meaning of waria. Here are a few examples:

    wr great man, great god, chief, senior

    It is interesting to note that the word waria covers such a wide range of meanings. Amongst one of the Ancient Egyptian meanings is that, waria is identified as a Great God. The question one poses is this, does the word waria describing a Great God have its derivative in any Bantu language?

    THE SHONA GOD MWARI

    THE SUPREME BEING


    The God, Mwari designated as the Supreme Being amongst the Shona people of Zimbabwe is seen as one who creates and sustains the universe. Some people interpret the meaning of Mwari as 'He who is'. However the etymology of the Shona-Bantu word for Mwari is derived from the concept of spreading and is given by the verb -wara, spread. Thus with the correct prefix M, M-wara becomes M-wari, the one who spreads.

    The concept of spreading may also be found in the Kiswahili-Bantu language, for the word enea means abound, be spread out, cover the whole extent as flowing water. Thus the word Mw-enea or Mwenea, one who spreads out, pervades, extends is used as a title of the 'Omnipresent God'.

    It is becoming increasing clear from the scheme of this investigation that the Ancient Egyptian word for God, waria is related to the Shona-Bantu word M-wari, the Supreme being, God. The etymology of the word for God, Mwari is derived from the verb -wara, spread.

    It is fitting at this stage to use the word waria, great one to designate the uraeus as given by Faulkner on page 64.

    The uraeus

    wr-tgreat one

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    The Depictions of the ancient Egyptians that famed Egyptologist Frank Yurco deliberately misinterpreted in his book as representing Nubians when the Egyptian text indicates that this was the ancient Egyptian type:






    ‘In 1998, after reading Yurco’s “Two Tomb-Wall Painted Reliefs of Rameses III and Sety I and Ancient Nile Valley Population Diversity” in which he proclaimed that the “four races of man” pastiche used by many African-centred writers to demonstrate that the ancient Egyptians viewed themselves as a black people, is based on a nineteenth century copy that is incorrect, I informed Yurco that not only had I been in the tomb of Ramesses III but that I personally photographed the wall painting. He seemed somewhat surprised at the time. I invited him to view the photos at a training session for volunteers that I was conducting the following day at the Field Museum of Natural History . He did not show. Although we would occasionally see one another at the museum , nothing more was said about his article or my photographs, that is until the museum conducted another volunteer training session for the new Cleopatra exhibit which opened in October 2001. I saw Yurco at the first session and decided then and there that I would give him a copy of “The Unwrapping of Egyptology”, which was first published in the Kemetic Voice in 1999. The following week I did just that. I personally handed him a copy of the Kemetic Voice and asked him to read the article and to give me feedback. Amiably, he agreed. However, he did not show for the final training session. I do not know whether my article had anything to do with his absence, but I was reminded of the first time I tried to present him with this information in 1998. Finally an opportunity presented itself during a walk-through of the Cleopatra exhibit. As I stood near the exit of the exhibit, I saw Yurco explaining certain aspects of the exhibit to a group of volunteers. I positioned myself so that it was virtually impossible for him to pass without seeing me. To my amazement, Yurco scurried right past me without uttering one word. I literally ran after him. Fortunately, there were two other members of the Kemetic Institute present to witness this encounter. When I caught Yurco and asked him what he thought about the article, the first thing he said was “I still maintain that it is a pastiche.” It was obvious from his statement that he had read the article. I again agreed with him on that point and pressed him further with regard to the contents of the pastiche and my photographs. In other words, were the ancient Egyptians as depicted in the tomb of Ramesses III shown in the same skin colour and dress as the Ku****es? Still walking hurriedly and looking quite ill at ease Yurco finally conceded that the depiction of the ancient Egyptians in the tomb of Ramesses III shows them to have the same black skin colour and dress as the Ku****es. When asked if this was a valid representation of the ancient Egyptians, Yurco again conceded. ‘ (p34).'The Battle for Kemet' Charles A.Grantham
    In all of these depictions these black Africans typically labled by silly people as the "true negro" depicted as the general representation of ancient Egypt. Here is a first hand account how dishonest and stubborn he was about the race and appearance of the ancient Egyptians. Even when confronted about his dishonesty his silliness would not yield.

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    Ancient Egypt was a multicultural society

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