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Thread: Austrian Music / Österreichische Musik

  1. #51
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    00:00:01 Lucio Silla, K. 135: Ouverture. II. Andante
    00:02:59 Flute and Harp Concerto in C Major, K. 299: II. Andantino
    00:11:54
    Flute and Harp Concerto in C Major, K. 299: III. Rondň. Allegro
    00:23:23
    Eine Kleine Nachtmusik in G Major, K. 525: II. Romanza. Andante
    00:30:36
    Piano Sonata in B-Flat Major, K. 333: I. Allegro
    00:36:31
    Piano Sonata in B-Flat Major, K. 333: II. Andante cantabile
    00:42:49
    Piano Sonata in B-Flat Major, K. 333: III. Allegretto grazioso
    00:49:58 Flute Concerto No. 1 in G Major, K. 313: III. Rondň. Minuetto
    00:58:19 Andante for Flute and Orchestra in C Major, K. 315
    01:06:17
    Symphony No. 36 in C Major, K. 425 "Linz": II. Andante con moto
    01:08:17
    Clarinet Concerto in A Major, K. 622: I. Allegro
    01:20:22 Piano Concerto No. 21 in C Major, K. 467: II. Andante
    01:27:39
    Piano Sonata No. 16 in C Major, K. 545 "For Beginners": II. Andante
    01:31:22 Piano Sonata No. 17 in B-Flat Major, K. 570: II. Adagio
    01:38:28
    Piano Concerto No. 19 in F Major, K. 459: II. Allegretto
    01:45:16 Flute Concerto No. 2 in D Major, K. 314: II. Adagio non troppo
    01:52:58 Sonata No. 1 for Harpsichord, Flute and Cello in B-Flat Major, K. 10: II. Andante
    01:56:43
    Violin Concerto No. 5 in A Major, K. 219: II. Adagio
    02:08:36
    Symphony No. 41 in C Major, K. 551 "Jupiter": II. Andante cantabile
    02:16:54
    Bassoon Concerto in B-Flat Major, K. 191: II. Andante ma adagio
    02:23:09 Symphony No. 1 in E-Flat Major, K. 16: II. Andante
    02:26:04
    Divertimento No. 1 in E-Flat Major, K. 113: II. Andante 1987 / 1991

    Moldavia Philharmonic Orchestra / All Rights Reserved
    1985 / 1998 ITC Philharmonic Orchestra / All Rights Reserved
    1991 Giuseppe Verdi Orchestra / All Rights Reserved
    1988 Lucia Marina Dell'Orso / All Rights Reserved
    1984 / 1994 EKlectic Music / All Rights Reserved
    2001 Pitagora Music / All Rights Reserved
    2012 3ut3rp3 Music Ltd / All Rights Reserved
    2001 The Mozart Symphony Orchestra / All Rights Reserved



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  2. #52
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    About this Album:
    Haydn’s compositions for piano trio and his pioneering work in the genre of the string quartet are well known. However, he also left a considerable body of work for chamber ensembles that do not fit comfortably within the sonata, trio or quartet category. This release explores some of these early and fascinating hybrids. One thing all the works have in common is that the piano is the centre of attention. Written for Count Morzin the Divertimento Hob.XIV:1 adds two horns to the traditional piano trio. They have some virtuosic passages, similar in fact to the contemporaneous Symphonies Nos. 31 and 72. Presumably these parts were written with particular horn players in mind. and Count Morzin’s orchestra possessed some of the greatest horn virtuosi of the time.

    Tracklist:
    00:00:00
    Concertino in C-Dur, Hob. XIV:12: Allegro
    00:04:15
    Concertino in C-Dur, Hob. XIV:12: Adagio
    00:10:53 Concertino in C-Dur, Hob. XIV:12: Finale-Allegro
    00:13:51 Divertimento in C-Dur, Hob. XIV:7: Allegro moderato
    00:17:24
    Divertimento in C-Dur, Hob. XIV:7: Menuet
    00:20:47 Divertimento in C-Dur, Hob. XIV:7: Finale-Presto
    00:22:16
    Concertino in F-Dur, Hob. XVIII:F2: Moderato
    00:25:46
    Concertino in F-Dur, Hob. XVIII:F2: Adagio
    00:31:42
    Concertino in F-Dur, Hob. XVIII:F2: Allegro assai
    00:33:37
    Divertimento in C-Dur, Hob. XIV:3: Allegro moderato
    00:36:33
    Divertimento in C-Dur, Hob. XIV:3: Menuet
    00:39:35
    Divertimento in C-Dur, Hob. XIV:3: Finale-Allegro molto
    00:40:20 Quintett in Es-Dur, Hob. XIV:1: Moderato
    00:44:51 Quintett in Es-Dur, Hob. XIV:1: Menuet
    00:48:39
    Quintett in Es-Dur, Hob. XIV:1: Finale-Allegro
    00:51:38 Divertimento in C-Dur, Hob. XIV:C2:
    00:53:25 Divertimento in C-Dur, Hob. XIV:C2:
    00:55:08
    Divertimento in C-Dur, Hob. XIV:4: Allegro
    00:59:07
    Divertimento in C-Dur, Hob. XIV:4: Menuet
    01:02:54
    Divertimento in C-Dur, Hob. XIV:4: Finale (Allegro)
    01:06:20
    Concertino in C-Dur, Hob. XIV:11: Moderato
    01:10:00 Concertino in C-Dur, Hob. XIV:11: Adagio
    01:14:52
    Concertino in C-Dur, Hob. XIV:11: Allegro
    01:16:47
    Divertimento in C-Dur, Hob. XIV:8: Allegro moderato
    01:21:14
    Divertimento in C-Dur, Hob. XIV:8: Menuet
    01:24:36 Divertimento in C-Dur, Hob. XIV:8: Finale-Scherzo
    01:26:06
    Concertino in G-Dur, Hob. XIV:13: Allegro moderato
    01:29:37 Concertino in G-Dur, Hob. XIV:13: Adagio
    01:34:18 Concertino in G-Dur, Hob. XIV:13: Finale-Presto
    01:36:22
    Divertimento in F-Dur, Hob. XIV:9: Allegro
    01:37:40
    Divertimento in F-Dur, Hob. XIV:9: Menuet
    01:40:20 Divertimento in F-Dur, Hob. XIV:9: Finale-Allegro molto
    01:42:26
    Sonata für Klavier und Violine in G-Dur, Hob. XV:32: Andante
    01:48:23
    Sonata für Klavier und Violine in G-Dur, Hob. XV:32: Allegro



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  3. #53
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    Salieri music

  4. #54
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    Etwas Zeitgenössisches...

  5. #55
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    Composer: Robert Fuchs
    Artists: Giulio Plotino (violin), Claudio Cavalletti (viola), Enrico Maria Polimanti (piano)

    This is almost unknown, lovely, unfailingly melodious late-Romantic chamber music, a treat for anyone who values the wistful themes, powerful developments and mahogany textures of Brahms and his contemporaries. Indeed Robert Fuchs became a good friend of Brahms, and elicited the older man's praise (remarkable in itself given his famously caustic opinions of his contemporaries) for "beautiful, perfectly written music, fascinating in its inventiveness and always pleasant." Fuchs was of a late generation, however, and his music moves forward into the 20th century, not with the bold iconoclasm of the Second Viennese School but the urgent post-Romanticism of Korngold and Goldmark. Composed in 1915,

    Op.103 is the last of his six violin sonatas and dedicated to no less than Adolf Busch, perhaps the most sublime chamber musician in recorded history to judge from his work with his own quartet and pianists such as Artur Rubinstein. For Busch to champion Fuchs’s work should indicate something of its real and lasting qualities. Of the three movements that make up the sonata, the first two are particularly rich in musical elements that prefigure the language of certain later composers, such as Sibelius and Strauss. Robert Fuchs (1847-1927) was born in Austria near the border of Slovenia. He went to Vienna for his musical education and became a close friend of Johannes Brahms, who expressed himself very favourably about his music (“beautiful, perfectly written and fascinating in its inventiveness”). Later Fuchs became Director of the Vienna Conservatory, and teacher of an impressive array of students: Mahler, Zemlinsky, Schreker, Sibelius, Schmidt, Enescu, Wolf… Fuchs’ chamber music reflects the musical atmosphere of late 19th century Vienna: highly expressive, wide tonality, extensive use of chromatism.

    Tracklist:

    00:00:00
    Robert Fuchs: Piano Trio No. 3 in F-Sharp Minor, Op. 115: I. Allegro molto moderato
    00:08:26 Robert Fuchs: Piano Trio No. 3 in F-Sharp Minor, Op. 115: II. Andante grazioso
    00:13:56
    Robert Fuchs: Piano Trio No. 3 in F-Sharp Minor, Op. 115: III. Allegretto scherzando
    00:19:07 Robert Fuchs: Piano Trio No. 3 in F-Sharp Minor, Op. 115: IV. Allegro giusto
    00:27:17 Robert Fuchs: Violin Sonata No. 3 in G Minor, Op. 103: I. Allegro moderato
    00:35:16
    Robert Fuchs: Violin Sonata No. 3 in G Minor, Op. 103: II. Andante sostenuto
    00:42:27
    Robert Fuchs: Violin Sonata No. 3 in G Minor, Op. 103: III. Allegro vivace
    00:48:11
    Robert Fuchs: 6 Phantasiestücke, Op. 117: I. Ländler Tempo
    00:52:10
    Robert Fuchs: 6 Phantasiestücke, Op. 117: II. Ruhig und ausdrucksvoll
    00:56:33
    Robert Fuchs: 6 Phantasiestücke, Op. 117: III. Leicht bewegt
    01:00:17
    Robert Fuchs: 6 Phantasiestücke, Op. 117: IV. Andante sostenuto con espressione
    01:03:32 Robert Fuchs: 6 Phantasiestücke, Op. 117: V. Mässig bewegt
    01:06:49
    Robert Fuchs: 6 Phantasiestücke, Op. 117: VI. Allegretto con delicatezza



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  6. #56
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    May 31, 1980: For the world premiere on the birthday of the Viennese mayor Leopold Gratz in the House of Encounter.



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    Frühlingsstimmen, Op. 410 (Instrumental) · Eugene Ormandy · The Philadelphia Orchestra · Johann Strauss, Jr. · Philadelphia Orchestra Johann Strauss II: Waltzes & Polkas ℗ Originally released 1961 SONY BMG MUSIC ENTERTAINMENT Released on: 1992-05-05 Producer: Howard H. Scott Auto-generated by YouTube.



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    "Gott erhalte Franz den Kaiser" (English: God Save Emperor Francis) is an anthem to Francis II, Emperor of the Holy Roman Empire and later of Austria. The lyrics were by Lorenz Leopold Haschka (1749–1827), and the melody by Joseph Haydn. It is sometimes called the "Kaiserhymne" (Emperor's Hymn). Haydn's tune has since been widely employed in other contexts: in works of classical music, in Christian hymns, in alma maters, and as the tune of the "Deutschlandlied", the national anthem of Germany.



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