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In both Ancient Greek and Roman cultures, unibrows were prized as beautiful, desirable features worn by the most intelligent and lusted-after women. In Ancient Greece, women used powdered minerals or soot to paint their brows black. The Greeks valued purity, so women often left their unibrows untouched or darkened slightly with black powder. Eyebrows were also part of the Romans' elaborate beauty rituals, and like the Greeks, they favored a unibrow. Both cultures' poets and writers described women donning false unibrows to enhance their looks. These were made of dyed goat's hair and attached with tree resin.
In Tajikistan, a unibrow is viewed as an attractive quality in both men and women. For women, it is associated with virginity and purity and, in men, virility. If there is no unibrow present, or if it is weak, it is commonplace for women to use a kohl liner or a modern kajal pen to simulate a unibrow.
During the Qajar dynasty in Iran (1785-1925), connected brows were considered beautiful. Persian poetry lauded the abrou-ye peyvasteh or "continuous eyebrow", in men and women alike. It was compared to cupid's bow, tensed and ready to fire its dart. The classic shape – a beautiful inverted ogee – can be seen in courtly miniatures and royal portraits.
https://en.wikipedia.org/wiki/Unibrow
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