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The Light that Inspired the Skagen Painters
Source: http://fiveminutehistory.com/the-lig...agen-painters/
Skagen is a village in the northernmost part of Denmark.
From the late 1870s until the turn of the century, a group of Scandinavian artists descended on Skagen every summer.
It was the light that drew them.
A translucent light that merged the sea and the sky—especially during the evening “blue hour”.
Influenced by the “en plein air” techniques of French Impressionist painters like Claude Monet, they broke away from traditions taught at the academies and developed their own unique styles.
The long beaches stretched for miles and miles …
Summer Evening at Skagen Beach by P.S. Krøyer, 1899
Summer Evening on Skagen’s Southern Beach by P.S. Krøyer, 1893
Nor moon nor stars were out.
They did not dare to tread so soon about,
Though trembling, in the footsteps of the sun.
The light was neither night’s nor day’s, but one
Which, life-like, had a beauty in its doubt;
And Silence’s impassioned breathings round
Seemed wandering into sound.
Elizabeth Barrett Browning, A Sea-Side Walk
Summer evening at the South Beach, Skagen by Peder Severin Krøyer, 1893
Skagen by Michael Peter Ancher, c.1900
Summer evening on the south Beach of Skagen by Peder Severin Krøyer, 1897
The Skagen Beach by Oscar Gustaf Bjorck, 1882
Summer Day at Skagen South Beach by Peder Severin Krøyer, 1884
Boat at Skagen’s South Beach by Oscar Gustaf Bjorck, 1884
I have loved hours at sea, gray cities,
The fragile secret of a flower,
Music, the making of a poem
That gave me heaven for an hour
Sara Teasdale, I Have Loved Hours At Sea
A Stroll on the Beach by Michael Ancher, 1896
Rendering light with paint in such a way that it makes you feel you are there and you need to squint at the sun’s reflections on the water.
Artists on the Beach by Peder Severin Kroyer, 1882
The North Sea in Stormy Weather. After Sunset by Laurits Tuxen, 1909
One of the shared interests of the Skagen painters was to paint scenes of their own social gatherings—eating together, celebrating, or playing cards.
At Lunch by Peder Severin Krøyer, 1883
As if you could reach out and touch them, Krøyer’s characters are full of movement, full of life.
A breakfast. The artist, his wife and the writer Otto Benzon by Peder Severin Krøyer, 1893
The group gathered together regularly at the Brøndums Inn in Skagen, which still operates as a hotel today.
Filled with the paintings the artists donated to cover the cost of board and lodging, the Brøndums’ dining-room became the center of their social life.
The dining room from Branden’s hotel, Skagen Museum.
Can you feel the excitement in the air and hear the clinking of glasses?
Hip, Hip, Hurrah! by P.S. Krøyer, 1888
The Actor’s Lunch, Skagen by Michael Peter Ancher, 1902
An Artists’ Gathering by Viggo Johansen, 1903
Deep in concentration, an after-dinner game of cards continues into the small hours.
A game of l’hombre in Brøndums Hotel by Anna Palm de Rosa, 1885
Many of the Skagen painters are depicted here enjoying Midsummer Eve celebrations on Skagen beach around a bonfire, traditionally lit to ward off evil spirits believed to roam freely when the sun turned southward again.
The painting includes Peder Severin Krøyer’s daughter Vibeke, mayor Otto Schwartz and his wife Alba Schwartz, Michael Ancher, Degn Brøndum, Anna Ancher, Holger Drachmann and his 3rd wife Soffi, the Swedish composer Hugo Alfvén and Marie Krøyer.
Midsummer Eve bonfire on Skagen’s beach by P.S. Krøyer, 1906
Anna Ancher was the only one of the Skagen Painters to be born and grow up in Skagen.
Her father owned the Brøndums Hotel where the artists stayed during the summer months and she married Michael Ancher, one of the first members of the Skagen colony of artists.
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