The Golden Age of the book of hours in Europe took place from 1350–1480. The Très Riches Heures du Duc de Berry or Très Riches Heures, (The Very Rich Hours of the Duke of Berry), is the most famous and possibly the best surviving exam
ple of French Gothic manuscript illumination, showing the late International Gothic phase of the style. It is a book of hours: a collection of prayers to be said at the canonical hours. It was created between c. 1412 and 1416 for the extravagant royal bibliophile and patron John, Duke of Berry, by the Limbourg brothers. When the three painters and their sponsor died in 1416, possibly victims of plague, the manuscript was left unfinished. It was further embellished in the 1440s by an anonymous painter, who many art historians believe was Barthélemy d'Eyck. In 1485–1489, it was brought to its present state by the painter Jean Colombe on behalf of the Duke of Savoy. Acquired by the Duc d'Aumale in 1856, the book is now MS 65 in the Musée Condé, Chantilly, France. Consisting of a total of 206 leaves of very fine quality parchment, 30 cm (12 in) in height by 21.5 cm (8 1⁄2 in) in width, the manuscript contains 66 large miniatures and 65 small. The design of the book, which is long and complex, has undergone many changes and reversals. Many artists contributed to its miniatures, calligraphy, initials, and marginal decorations, but determining their precise number and identity remains a matter of debate. Painted largely by artists from the Low Countries, often using rare and costly pigments and gold,[3] and with an unusually large number of illustrations, the book is one of the most lavish late medieval illuminated manuscripts.
The Limbourg brothers (Dutch: Gebroeders van Limburg; fl. 1385 – 1416) were famous Dutch miniature painters (Herman, Paul, and Johan) from the city of Nijmegen. They were active in the early 15th century in France and Burgundy, working in the style known as International Gothic. They created what is certainly the best-known late medieval illuminated manuscript, the Très Riches Heures du Duc de Berry. After three centuries in obscurity, the Très Riches Heures gained wide recognition in the late nineteenth and twentieth centuries, despite having only very limited public exposure at the Musée Condé. Its miniatures helped to shape an ideal image of the Middle Ages in the collective imagination. This is particularly true for the calendar images, which are the most commonly reproduced. They offer vivid representations of peasants performing agricultural work as well as aristocrats in formal attire, against a background of remarkable medieval architecture. (wikipedia)
Calendar gallery Photos:
https://photos.app.goo.gl/BK35f6BNhNJ... Song: Bear McCreary - Lucrezia Donati
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Originally Posted by The Lawspeaker
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