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Thread: Dolce Stil Novo

  1. #1
    Condottiero SaxonCeorl's Avatar
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    Default Dolce Stil Novo

    Lately I have been reading about the romantic school of Italian poetry during the Middle Ages and Rinascimento, known as the Dolce Stil Novo, or "Sweet New Style".

    From Wikipedia:

    Poetry from this school is also full of vivid descriptions of female beauty, frequently comparing the desired woman to a creature from paradise. The woman is described as an 'angel' or as 'a bridge to God'. Rather than being material in nature, the 'Love' of the Dolce Stil Novo is a sort of 'Divine Love'.

    The two main concepts (introspection and love) are thus brought together as the poet enters his interior world to express his most inner feelings which are caused by an excessively divine female beauty.

    The first expression of this style of writing is credited to Guido Guinizzelli and his poem Al cor gentil rempaira sempre amore, whereas the major exponent of this school of poetry was Dante Alighieri, who is most famous for his Divina Commedia.

    The importance of the Dolce Stil Novo lies in the fact that apart from being the manifestation of the first true literary tradition in Italy, it ennobled the Tuscan vernacular, which was soon destined to become the Italian national language.
    And now for some Canzoni

    Lapo Gianni (c. 1250 - c. 1328)

    Dolce é 'l pensier che mi notrica il core
    d'una giovane donna ch'e' desia,
    per cui si fè gentil l'anima mia,
    poichè sposata la congiunse Amore.

    I' non posso leggeramente trare
    il novo esempio ched ella somiglia:
    quest' angela che par di ciel venuta
    d'amor sorella mi sembr' al parlare
    ed ogni su' atterello è meraviglia:
    beata l'alma che questa saluta!
    In colei si può dir che sia piovuta
    allegrezza, speranza e gioi' compita
    ed ogni rama di virtù fiorita,
    la qual procede dal su' gran valore.

    Il nobile intelletto che io porto
    per questa giovin donna ch'è apparita,
    mi fa spregiar viltate e villania.
    Il dolce ragionar mi dà conforto
    ch'i' fè con lei de l'amorosa vita,
    essendo già in sua nuova signoria.
    Ella mi fè tanto di cortesia,
    che non sdegnò mio soave parlare,
    ond' io voglio Amor dolce ringraziare
    che mi fè degno di cotanto onore.

    Com' i' son scritto nel libro d'amore
    conterai, Ballatella, in cortesia,
    quando tu vederai la donna mia,
    poi che di lei fui fatto servitore.

    e in Inglese

    The thought my heart nourishes is sweet,
    It’s of a young girl that I desire,
    Because of whom my spirit mounts higher,
    Since Love, himself, and she did meet.

    I cannot easily express
    The fresh form this angel resembles
    Who seems to have descended from the sky:
    She seems Love’s sister by her address,
    And at her every gesture one marvels:
    Blessed the souls she greets and passes by!
    It can be said that every brightness lies
    In her and every hope and joy’s there too,
    And every blossoming branch of virtue,
    And all this is due to her great worth.

    The noble intellect I have acquired
    Because of the appearance of this lady,
    Makes me scorn all sin and villainy,
    And the sweet conversation we enjoyed
    Concerning the life of love, comforts me,
    When I was still new to her sovereignty.
    She showed me then such courtesy,
    That she did not disdain my gentle speech:
    So that I wish to thank sweet Love, indeed,
    Who made me fit for such honour on Earth.

    Since my name is writ in the book of Love,
    Tell my tale, little song, with courtesy,
    When you are allowed to see my lady,
    Since I am made her servant, and so prove.

    Cino da Pistoia (c. 1270 - c. 1337)

    Io guardo per li prati ogni fior bianco,
    per rimembranza di quel che mi face
    sì vago di sospir ch'io ne chieggo anco.
    E mi rimembra de la bianca parte
    che fa col verdebrun la bellataglia,
    la qual vestio Amore
    nel tempo che, guardando Vener Marte,
    con quella sua saetta che più taglia
    mi diè per mezzo il core:
    e quando l'aura move il bianco fiore,
    rimembro de' begli occhi il dolce bianco
    per cui lo mio desir mai ne fie stanco.

    English:

    In the meadow I gaze at each white flower,
    Remembering what it is that makes me
    So eager to sigh that now I ask for more.
    And I remember the white, the dark green,
    That so created the lovely dress
    With which Love was clothed,
    When, with Mars and Venus watching,
    The arrow that cuts deepest
    Into my heart he drove:
    When in the breeze the white flowers move,
    I remember her lovely eyes’ sweet whiteness,
    For which this desire of mine cannot be less.

    More from Cino:

    Io fu’ ’n su l’alto e ’n sul beato monte,
    ch’i’ adorai baciando ’l santo sasso;
    e caddi ’n su quella petra, di lasso,
    ove l’onesta pose la sua fronte,
    e ch’ella chiuse d’ogni vertù il fonte
    quel giorno che di morte acerbo passo
    fece la donna de lo mio cor, lasso,
    già piena tutta d’adornezze cònte.

    Quivi chiamai a questa guisa Amore:
    “Dolce mio iddio, fa che qui mi traggia
    la morte a sé, ché qui giace ’l mio core”.
    Ma poi che non m’intese ’l mio signore,
    mi diparti’ pur chiamando Selvaggia;
    l’alpe passai con voce di dolore.

    English:

    I was on the high and blessed hill,
    Where I worshipped, kissing the sacred stone,
    On that rock, in weariness, bowed down,
    Where Purity laid her forehead chill,
    Sealing there the fount of every virtue,
    When the woman of my heart, alas,
    Travelled through Death’s bitter pass,
    She who was accounted full of beauty.

    There I called to Love, in words again:
    ‘Sweet Lord, let Death take me for his own,
    Now, since in this place my heart was slain.’
    But when my Lord showed only his disdain,
    Still calling on my Selvaggia, I passed down:
    Travelling the mountain with my voice of pain.
    þæs ofereode, þisses swa mæg!

  2. #2
    Barocco Lucretius's Avatar
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    Default

    Io voglio del ver la mia donna laudare..

    It wasn't,as the recent studies have been able to show,a kind of idealistic love, but a fleshy one..

    I still prefere the realistic/comic poetry of Cenne della Chitarra,Cecco Angiolieri,Rustico Filippi and some others..


    Dovunque vai conteco porti il cesso
    di Rustico Filippi


    Dovunque vai conteco porti il cesso,
    oi buggeressa vecchia puzzolente,
    che quale-unque persona ti sta presso
    si tura il naso e fugge inmantenente1.

    Li dent’i le gengìe tue ménar gresso,
    ché li taseva l’alito putente;
    le selle paion legna d’alcipresso
    inver’ lo tuo fragor, tant’è repente2.

    Ch’e’ par che s’apran mille monimenta
    quand’apri il ceffo: perché non ti spolpe
    o ti rinchiude, sì ch’om non ti senta3?

    Però che tutto ’l mondo ti paventa
    in corpo credo figlinti le volpe,
    ta lezzo n’esce fuor, sozza giomenta.


  3. #3
    Peyrol
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    Default

    A little curiosity: all the stilnovisti were members of a Masonic lodge called "I fedeli d'amore".

  4. #4
    Barocco Lucretius's Avatar
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    Default

    It wasn't a masonic lodge, just a literary/esoteric circle with protohumanists

  5. #5
    Condottiero SaxonCeorl's Avatar
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    Default

    Quote Originally Posted by Lucretius View Post
    It wasn't,as the recent studies have been able to show,a kind of idealistic love, but a fleshy one..
    Can't we have both?

    It is interesting though, the idea that the ultimate manifestation of Divine beauty can be seen in the opposite sex.

    Here's a good one from an anonymous 14th century poet:

    Pàrtite, amore, adeo,
    chè troppo ce se' stato;
    lo maitino è sonato,
    giorno mi par che sia.

    Pàrtite, amore, adeo,
    che non fossi trovato
    in sì fina cellata
    come nui semo stati.
    Or me bacia, occhio meo;
    tosto sia l'andata
    tenendo la tornata
    come d'innamorati,
    si che per spesso usato
    nostra gioia renovi,
    nostro stato non trovi
    la mala gelosia.

    Pàrtite, amore, adeo,
    e vanne tostamente,
    ch'ogni tua cosa t'aggio
    parecchiata in presente.
    Go now my love, goodbye now,
    I know you’ve stayed too long, for
    The morning bell has rung, and
    It seems to me it’s day.

    In Inglese:

    Go now my love, goodbye now,
    So they will not find you
    In such sweet concealment
    As this place where we lie.
    Kiss me now, my sweetheart,
    Make it a swift parting,
    Look to your returning,
    With lovers’ loyalty,
    So through constant trials
    Our love may be new love
    And we’ll never meet with
    Wicked jealousy.

    Go now, my love, goodbye now,
    Go now from me swiftly,
    All your things are ready,
    I’ve arranged them so.
    Secret late-night lovemaking; nice :naughty2:
    þæs ofereode, þisses swa mæg!

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