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Pantheon, Rome
The Pantheon (UK: /ˈpćnθiən/, US: /-ɒn/;[1] Latin: Pantheum,[nb 1] from Greek Πάνθειον Pantheion, "[temple] of all the gods") is a former Roman temple, now a church, in Rome, Italy, on the site of an earlier temple commissioned by Marcus Agrippa during the reign of Augustus (27 BC – 14 AD). It was completed by the emperor Hadrian and probably dedicated about 126 AD. Its date of construction is uncertain, because Hadrian chose not to inscribe the new temple but rather to retain the inscription of Agrippa's older temple, which had burned down.[2]
The building is circular with a portico of large granite Corinthian columns (eight in the first rank and two groups of four behind) under a pediment. A rectangular vestibule links the porch to the rotunda, which is under a coffered concrete dome, with a central opening (oculus) to the sky. Almost two thousand years after it was built, the Pantheon's dome is still the world's largest unreinforced concrete dome.[3] The height to the oculus and the diameter of the interior circle are the same, 43 metres (142 ft).[4]
It is one of the best-preserved of all Ancient Roman buildings, in large part because it has been in continuous use throughout its history and, since the 7th century, the Pantheon has been in use as a church dedicated to "St. Mary and the Martyrs" (Latin: Sancta Maria ad Martyres) but informally known as "Santa Maria Rotonda".[5] The square in front of the Pantheon is called Piazza della Rotonda. The Pantheon is a state property, managed by Italy's Ministry of Cultural Heritage and Activities and Tourism through the Polo Museale del Lazio; in 2013 it was visited by over 6 million people.
The Pantheon's large circular domed cella, with a conventional temple portico front, was unique in Roman architecture. Nevertheless, it became a standard exemplar when classical styles were revived, and has been copied many times by later architects
Maison Carrée
The Maison Carrée (French pronunciation: [mɛzɔ̃ kaʁe]; French for "square house") is an ancient building in Nîmes, southern France; it is one of the best preserved Roman temple façades to be found in the territory of the former Roman Empire.
In about 4-7 AD,[1] the Maison carrée was dedicated or rededicated to Gaius Caesar and Lucius Caesar, grandsons and adopted heirs of Augustus who both died young. The inscription dedicating the temple to Gaius and Lucius was removed in medieval times. However, a local scholar, Jean-François Séguier, was able to reconstruct the inscription in 1758 from the order and number of the holes on the front frieze and architrave, to which the bronze letters had been affixed by projecting tines. According to Séguier's reconstruction, the text of the dedication read (in translation): "To Gaius Caesar, son of Augustus, Consul; to Lucius Caesar, son of Augustus, Consul designate; to the princes of youth."[2] During the 19th century the temple slowly began to recover its original splendour, due to the efforts of Victor Grangent.
Temple of Augustus, Pula
The Temple of Augustus (Croatian: Augustov hram)[a] is a well-preserved[4] Roman temple in the city of Pula, Croatia (known in Roman times as Pola). Dedicated to the first Roman emperor, Augustus, it was probably built during the emperor's lifetime at some point between 27 BC and his death in AD 14.[5] It was built on a podium with a tetrastyle prostyle porch of Corinthian columns and measures about 8 by 17.3 m (26 by 57 ft), and 14 m (46 ft) high.[6] The richly decorated frieze is similar to that of a somewhat larger and more recent temple, the Maison Carrée in Nîmes, France.[7] These two temples are considered the two best complete Roman monuments outside Italy.
Temple of Minerva, Assisi
The Temple of Minerva (Italian: Tempio di Minerva) is an ancient Roman building in Assisi, Umbria, central Italy. It currently houses a church, Santa Maria sopra Minerva, built in 1539 and renovated in Baroque style in the 17th century.
The temple was built in the 1st century BC[1] by will of Gnaeus Caesius and Titus Caesius Priscus, who were two of the city's quattuorviri and also financed the construction. The attribution to the goddess Minerva derives from the finding of a female statue, although a dedication stone to Hercules has been found, and the temple was likely dedicated to this male demi-god.[1] In the Middle Ages the temple housed a tribunal with an annexed jail, as testified by one of Giotto's frescoes in the St. Francis Basilica, which portrays the church windows with bars.
Of the ancient temple, the façade has been preserved, with six Corinthian columns supporting the architrave and a small pediment. The columns were originally covered by a very strong plaster, which was perhaps colored.[1] The cella was completely demolished during the church's construction, in the 16th century, while a small section of the temple was found in the 20th century near the altar.
The temple was visited and described by the German poet Goethe during his travels in Italy, as the first ancient structure in good condition seen during his life (1786).
Temple of Portunus
The Temple of Portunus (Italian: Tempio di Portuno) or Temple of Fortuna Virilis ("manly fortune") is a Roman temple in Rome, Italy, one of the best preserved of all Roman temples. Its dedication remains unclear, as ancient sources mention several temples in this area of Rome, without saying enough to make it clear which this is. It was called the Temple of Fortuna Virilis from the Renaissance, and remains better known by this name. If dedicated to Portunus, the god of keys, doors and livestock, and so granaries, it is the main temple dedicated to the god in the city.[1]
It is in the Ionic order and located by the ancient Forum Boarium by the Tiber, during Antiquity the site overlooked the Port Tiberinus at a sharp bend in the river; from here, Portunus watched over cattle barges as they entered the city from Ostia.[2]
The temple was originally built in the 3rd or 4th century BCE but was rebuilt between 120–80 BCE,[3] the rectangular building consists of a tetrastyle portico and cella, raised on a high podium reached by a flight of steps, which it retains.[4] Like the Maison Carrée in Nîmes, it has a pronaos portico of four Ionic columns across and two columns deep. The columns of the portico are free-standing, while the remaining five columns on the long sides and the four columns at the rear are half-columns engaged along the walls of the cella. This form is sometimes called pseudoperipteral, as distinct from a true peripteral temple like the Parthenon entirely surrounded by free-standing columns. The Ionic capitals are of the original form, different in the frontal and side views, except in the volutes at the corners, which project at 45°, a common Roman detail. It is built of tuff and travertine with a stucco surface.
If still in use by the 4th-century, the temple would have been closed during the persecution of pagans in the late Roman Empire. The temple owes its state of preservation to its being converted for use as a church in 872 and rededicated to Santa Maria Egyziaca (Saint Mary of Egypt).[5] Its Ionic order has been much admired, drawn and engraved and copied since the 16th century.[6] The original coating of stucco over its tufa and travertine construction has been lost.
The circular Temple of Hercules Victor is located south-east of the temple in the Forum Boarium.
The 18th century Temple of Harmony in Somerset, England is a folly based on the Temple of Portunus.
temple of Augustus and Livia,
Two important Roman monuments still stand at Vienne. One is the Early Imperial temple of Augustus and Livia, a rectangular peripteral building of the Corinthian order, erected by the emperor Claudius, which owes its survival, like the Maison Carrée at Nîmes, to being converted to a church soon after the Theodosian decrees and later rededicated as "Notre Dame de Vie." (During the Revolutionary Reign of Terror it was used for the local Festival of Reason.) The other is the Plan de l'Aiguille, a truncated pyramid resting on a portico with four arches, from the Roman circus. Many popular theories[example needed] have been advanced as to the original intent of this structure; there is even a legend[citation needed] of Pontius Pilate making it his tomb.
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