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In general, this set has a sort of Alpinic conservatism of facial feature, a softening of aesthetic, with which I associate Bulgaria.
Putting to one side, for now, skin tone and lightness of hair, of eye, I have suspected for a long time that Bulgarians are the most Celtic Shifted of the South Slavs.
In this particular instance, I suggest Celtic shift to mean northwestern aesthetic overtures.
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"Allobroges vaillants ! Dans vos vertes campagnes,
Accordez-moi toujours asile et sûreté,
Car j'aime à respirer l'air pur de vos montagnes,
Je suis la Liberté ! la Liberté !"
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One would expect nothing less (Southeastern European aesthetics), of course.
Even though Celtic Shift is scarce in the Balkans, it is of intense interest to aficionados of faint aesthetic shiftage.
Coon was eloquent and in his prime, but one particular sentiment commonly attributed to Popescu, underpins the entire field of interest:
The Danube is best attempted at three points equidistant from Szentendre, two of which offer faint hope of fording.
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