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Thread: Dutch Art

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    Quote Originally Posted by The Lawspeaker View Post

    Hendrick Avercamp - Winterlandschap met schaatsers bij de stad Kampen (rond 1620)


    Johannes Lingelbach- De Dam in Amsterdam met het Stadhuis in aanbouw (1656)
    I get a great sensation of nostalgia from these paintings, and I don't know why.. Maybe it's because of the coloring or something.

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    Quote Originally Posted by Kamal900 View Post
    I get a great sensation of notalgia from these paintings, and I don't know why.. Maybe it's because of the coloring or something.

    Those were our heydays so.. yeah.



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    Bilders - Landscape of Oosterbeek, Gelderland (1867)



    Roelofs - Landcape in the Environs of the Hague (1870-75)



    Roelofs - Village Inn on Village Street (1843)


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    The only painters who can rival the great Italian painters are the Dutch / Flemish .. all the others are simple amateurs ..

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    I would say that "La ragazza con l'orecchino di perla" è allo stesso livello di "Mona Lisa"..

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    The Golden Age of the book of hours in Europe took place from 1350–1480. The Très Riches Heures du Duc de Berry or Très Riches Heures, (The Very Rich Hours of the Duke of Berry), is the most famous and possibly the best surviving example of French Gothic manuscript illumination, showing the late International Gothic phase of the style. It is a book of hours: a collection of prayers to be said at the canonical hours. It was created between c. 1412 and 1416 for the extravagant royal bibliophile and patron John, Duke of Berry, by the Limbourg brothers. When the three painters and their sponsor died in 1416, possibly victims of plague, the manuscript was left unfinished. It was further embellished in the 1440s by an anonymous painter, who many art historians believe was Barthélemy d'Eyck. In 1485–1489, it was brought to its present state by the painter Jean Colombe on behalf of the Duke of Savoy. Acquired by the Duc d'Aumale in 1856, the book is now MS 65 in the Musée Condé, Chantilly, France. Consisting of a total of 206 leaves of very fine quality parchment, 30 cm (12 in) in height by 21.5 cm (8 1⁄2 in) in width, the manuscript contains 66 large miniatures and 65 small. The design of the book, which is long and complex, has undergone many changes and reversals. Many artists contributed to its miniatures, calligraphy, initials, and marginal decorations, but determining their precise number and identity remains a matter of debate. Painted largely by artists from the Low Countries, often using rare and costly pigments and gold,[3] and with an unusually large number of illustrations, the book is one of the most lavish late medieval illuminated manuscripts. The Limbourg brothers (Dutch: Gebroeders van Limburg; fl. 1385 – 1416) were famous Dutch miniature painters (Herman, Paul, and Johan) from the city of Nijmegen. They were active in the early 15th century in France and Burgundy, working in the style known as International Gothic. They created what is certainly the best-known late medieval illuminated manuscript, the Très Riches Heures du Duc de Berry. After three centuries in obscurity, the Très Riches Heures gained wide recognition in the late nineteenth and twentieth centuries, despite having only very limited public exposure at the Musée Condé. Its miniatures helped to shape an ideal image of the Middle Ages in the collective imagination. This is particularly true for the calendar images, which are the most commonly reproduced. They offer vivid representations of peasants performing agricultural work as well as aristocrats in formal attire, against a background of remarkable medieval architecture. (wikipedia)

    Calendar gallery Photos: https://photos.app.goo.gl/BK35f6BNhNJ... Song: Bear McCreary - Lucrezia Donati



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    Carel Willink (1900-83)






    Avenue at Versailles
    Spoiler!

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    View full lesson: http://ed.ted.com/lessons/why-is-verm... Is she turning towards you or away from you? No one can agree. She’s the subject of Dutch Master Johannes Vermeer’s "Girl with the Pearl Earring," a painting often referred to as the ‘Mona Lisa of the North.’ But what makes this painting so captivating? James Earle explains how this work represents the birth of a modern perspective on economics, politics, and love. Lesson by James Earle, animation by Tess Martin.




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    Johannes Vermeer (c. 1632–c. 1675) is one of the most highly regarded Dutch artists of all time. His works have been a source of inspiration and fascination for centuries, but much of his life remains a mystery. Vermeer was a Dutch Baroque Period painter who specialized in domestic interior scenes of middle class life. Vermeer worked slowly and with great care, and frequently used very expensive pigments. He is particularly renowned for his masterly treatment and use of light in his work. Vermeer painted mostly domestic interior scenes. "Almost all his paintings are apparently set in two smallish rooms in his house in Delft; they show the same furniture and decorations in various arrangements and they often portray the same people, mostly women."

    List of works: The Allegory of Faith. The Art of Painting. The Astronomer. Christ in the House of Martha and Mary. The Concert. Diana and Her Companions. The Geographer. A Girl Asleep. Girl Interrupted at Her Music. Girl Reading a Letter at an Open Window. Girl with a Flute. Girl with a Pearl Earring. Girl with a Red Hat. The Girl with the Wine Glass. The Guitar Player. The Lacemaker. Lady Seated at a Virginal. Lady Standing at a Virginal. Lady Writing a Letter with her Maid. A Lady Writing a Letter. The Little Street. The Love Letter. The Milkmaid. Mistress and Maid. The Music Lesson. Officer and Laughing Girl. Portrait of a Young Woman. The Procuress. Saint Praxedis. View of Delft. The Wine Glass. Woman Holding a Balance. Woman Reading a Letter. Woman with a Lute. Woman with a Pearl Necklace. Woman with a Water Jug. A Young Woman Seated at the Virginals

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    Music: Sibelius - Andante Festivo


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    View of Rhenen, Jan Van Goyen, 1656



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