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  1. #291
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    Dienstmars No. 1 (translation: Service March Number 1) performed by the the "Tamboers en Pijpers van het Korps Mariniers" (Drums and Fifes of the Royal Netherlands Marines).


    This march is part of a number of so called 'service' marches composed by an unkown author and without an exact date. Originally the marches were used to signal different company of a unit to stand ready in attention. So 'Dienstmars No.1' for the first company, 'Dienstmars No.2' for the second company, etc.


    In the present day the 'Dienstmarsen' are still played for ceremonial purposes, parades and military tattoos by the "Tamboers en Pijpers van het Korps Mariniers" (Drums and Fifes of the Royal Netherlands Marines) whom are often attached to the larger Marine Band of the Royal Netherlands Navy during these ceremonies. The 'Service marches' such as this one are often played before and/or in between marches simular to the famous German "Lockmarsch".


    Information and sources about these marches are quite limited so if you have more information feel free to share it in the comments.


    Picture used: Detail of the painting "Vertrek der Kolonialen" (Departure of the Colonials) by impressionist painter Isaac Israëls made between 1883 and 1884. The painting shows the departure of a unit of 'Koninklijk Nederlandsch-Indisch Leger' (Royal Netherlands Indies Army) in the harbor of Rotterdam.

    Dutch march - Marsch van den Heer Van der Duyn (Fife and Drum)

    Marsch van den Heer Van der Duyn (translation: March of sir Van der Duyn) by unknown performers, but most likely members of the "Tamboers en Pijpers van het Korps Mariniers" (Drums and Fifes of the Royal Netherlands Marines).

    This march originates from the early 18th century, most likely the War of Spanish succession and was composed by an unknown author. To which sir 'Van der Duyn' the march is referring isn't clear. One of the most likely candidates is Nicolaas van der Duyn, quartermaster-general, general major and colonel of a regiment of horse who was present at the battle of Ramillies (1706).

    In the present-day the march is still played as an inspection march during official events like the visitation of foreign dignitaries or parades.

    Picture used: "Exercitie van het regiment Hollandsche Gardes bij de Koekamp in Den Haag onder bevel van Jacob van Kretschmar" depicting the regiment Dutch guards on foot (better known in English the Dutch Blue Guards) being inspected by the colonel commander on horseback; Jacob van Kretschmar (1721-1792). The Dutch guards on foot had most notably distinguished themselves during the Nine Years' War (1688–1697) and the War of the Spanish Succession (1702–1712). The painting was made in 1778 by Tethart Haag.

    Franse Mars No. 8 (translation: French March Number 8) performed by the the "Tamboers en Pijpers van het Korps Mariniers" (Drums and Fifes of the Royal Netherlands Marines).

    This march is part of a number of so-called 'French' marches dating back to the 18th century. Composed by an unknown author and without an exact date.

    In the present day the "French marches'' are still played for ceremonial purposes, parades and military tattoos by the "Tamboers en Pijpers van het Korps Mariniers" (Drums and Fifes of the Royal Netherlands Marines) whom are often attached to the larger Marine Band of the Royal Netherlands Navy during these ceremonies. The 'French marches' such as this one are often played before and/or in between marches similar to the famous German "Lockmarsch".

    Information and sources about these marches are quite limited so if you have more information feel free to share it in the comments.

    Picture used: Illustration shows drummers and fifers from different infantry Regiments of the Dutch army of the Kingdom of Holland, a puppet kingdom ruled by Napoleon's brother Louis Bonaparte from 1806 until 1810. Troops from the Kingdom of Holland supported the French Empire during the Franco-Swedish War and War of the Fourth Coalition. The Illustration comes from the book "Abbildung der Uniformen aller in Hamburg seit den Jahren 1806 bis 1815 einquartirt gewesener Truppen" (Illustration of the uniforms of all troops billeted in Hamburg from 1806 to 1815) drawn and painted by Christoph and Cornelius Suhr. For more examples and info: https://www.napoleon-series.org/milit...


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  2. #292
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    'Het Daghet in den Oosten' by the Belgian group 'Rum'.



    The oldest known mention of the text is in the Antwerps Liedboek (1544), at that time already described as an 'old song'. It is a medieval song in Middle Dutch about a young maiden who joins a monastery becoming a nun after the passing of her lover.

  3. #293
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    Quote Originally Posted by Dandelion View Post
    'Het Daghet in den Oosten' by the Belgian group 'Rum'.



    The oldest known mention of the text is in the Antwerps Liedboek (1544), at that time already described as an 'old song'. It is a medieval song in Middle Dutch about a young maiden who joins a monastery becoming a nun after the passing of her lover.
    And there is a possibility that this famous hymn was composed by a relative of one of my ancestors, as on my dad's side they came from Delft and the surrounding area. There are notes in the family history book that may indicate a connection between our bloodline and of a relative of a Delft beguine and mystic that became well known fir composing hymns and for having received the stigmata.


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  4. #294
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    Boudewijn de Groot. A God of Music.











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  5. #295
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    Wake up and smell the coffee.

  6. #296
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    Geuzenlied.
    Tekst: M. Arent Dirksz. Vos.
    Op de wijs van: 'Bedructe hertekens'.
    Datering: 1568-1570.
    Opname: Wannes van de Velde en Paul Rans

    Volgens Florimond van Duyses "Het oude Nederlandsche Lied" moest dit geuzenlied in 1566 ontstaan zijn en werd het voor het eerst gepubliceerd in "een nieu Geusen liedboek" in 1581.
    Het lied zou geschreven zijn door 'E.H.' Arent Dirckszoon Vos, naar volgend citaat:
    "Tghene hier nae volghet en is noyt in eenighe Liedtboecken ghedruckt gheweest. - Een Liedeken gemaect by M. Arent Dircxz. Vos / in zijn leven Pastoor inde Lier / ende soude wel voor in desen boeck behooren ghestelt gheweest te hebben: Op de wijse"

    Lang heeft Vos niet kunnen genieten van zijn lied. In 1570 werd hij te 's-Gravenhage op de brandstapel gezet als straf voor het deelnemen aan de Beeldenstorm in zijn Lierse kerk en het roven van kerkzilver. Triest detail is dat een van de verzwarende omstandigheden in het dossier het bezit van een "opruiende liedtekst" was, vermoedelijk dit lied.

    Uitleg: vive le geus: lang leve de geus / loes: leus / sneven: sneuvelen / oflaat: houdt op / val niet rebel: kom niet in opstand.
    Inquisitie: Speciale rechtbank tijdens Spaanse overheersing
    Spaanse pokken: Lett. syfillis, geslachtsziekte

    Voor meer volksliederen: https://liedjesuitnederland.nl/

    Wien Neêrlands bloed, gecomponeerd door Johann Wilhelm Wilms (1772-1847) op een gedicht van Hendrik Tollens (1780-1856), was het officiële volkslied van het Verenigd Koninkrijk der Nederlanden tussen 1817 en 1832 en later van het Koninkrijk der Nederlanden tussen 1832 en 1933.

    Wien Neêrlands bloed, composed by Johann Wilhelm Wilms (1772-1847) on a poem by Hendrik Tollens (1780-1856), was the official anthem of the United Kingdom of the Netherlands between 1817 and 1832 and later of the Kingdom of the Netherlands between 1832 and 1933.
    Last edited by Your Old Comrade; 12-26-2023 at 11:51 AM.


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  7. #297
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    Oud ambachtslied door de Veldhovense Volksmuziek groep 't Brabants kwartierke (1976-1982). Gevolgd door een doedelzak versie van het kinderliedje "Advokaatje ging op reis" Van de LP "Als Vruger " uit 1979 De groep bestond uit Cees-Gerie en Heleen Ouwerkerk met Monic Holman en Egbert Gramsbergen.
    Behalve de LP was ook een tournée naar de Dordogne in 1978 een hoogtepunt voor de groep.
    De doedelzak ik van het Brabantse type dat ook op de schilderijen van Pieter Breughel te vinden is. Een opvallend kenmerk daarvan is dat de bourdon pijpen in kwint gestemd zijn.

    Hertog Jan, HET Brabants Volkslied werd in 1947 geschreven door Harry Beex en de melodie is van Floris van der Put. De Veldhovense volksmuziekgroep 't Brabants Kwartierke (1976-1982) speelt het hier met draailier, trom en riet blaas instrumenten waardoor het een authentieke sfeer krijgt. Het lied wordt voorafgegaan door een Branle die Cees optekende van een draailier speler uit het Franse Bergerac.
    Egbert bespeelt ook de Brabantse Balk een klankkast waarop snaren gespannen zijn in een akkoord, waarover heen dan nog een melodie gespeeld kan worden.


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    Decca M 32058 (AM 818).
    Met refreinzang van Jan de Vries.


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    Ons Gelderland
    1941
    The Netherlands

    Batavica Patriotic Apparel: https://www.batavica.net/
    Discord:

    / discord
    BitChute: https://www.bitchute.com/profile/

    Lyrics:

    Waar der beuken breede kronen, Ons heur koele schaduw biên;
    Waar we groene dennebosschen, Paarse heidevelden zien;
    Waar de blonde roggeakker en het beekje ons oog bekoort,
    Daar is onze Vale ouwe, Kost’lijk deel van Gelre’s oord.
    Daar is onze Vale ouwe, Kost’lijk deel van Gelre’s oord.

    Waar bij zomerzon de boomgaard, Kleurig ooft den wand’laar toont,
    En de vruchtb’re korenakker, Stagen arbeid rijk’lijk loont;
    Waar het aorige rivierke, Rustig stroomt langs groenen boord,
    Daar is onze rijke Betuw, Kost’lijk deel van Gelre’s oord.
    Daar is onze rijke Betuw, Kost’lijk deel van Gelre’s oord.

    Waar kasteelen statig prijzen, Rond door park en bosch omringd,
    Waar het voog’lenkoor zijn lied’ren, In het dichte loover zingt;
    Waar het lief’lijk schoon van ’t landschap, ‘t Oog des schilders steeds bekoort,
    Daar is onze “olde Graafschap”, Kost’lijk deel van Gelre’s oord.
    Daar is onze “olde Graafschap”, Kost’lijk deel van Gelre’s oord.


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  10. #300
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    De Huzarenmars is de defileermars van het Nederlandse Wapen der Cavalerie.

    De huzarenmars is vaak te horen bij het militair ceremonieel. Zo werd de mars ten gehore gebracht bij het koninklijk huwelijk van prins Willem-Alexander en Máxima Zorreguieta. Ook bij het ceremonieel van Prinsjesdag maakt de mars deel uit van het repertoire. Op 11 december 2004 vond de uitvaartdienst van Prins Bernhard plaats in de Nieuwe Kerk in Delft. In de stoet richting Delft klonk als eerbetoon aan zijn regiment, de Huzarenmars.

    De mars werd in 1881 gecomponeerd door ritmeester Hendrik Karels, kapelmeester van 1e Regiment Huzaren, stamlijn van het Regiment Huzaren van Boreel. De Huzarenmars werd in 1922 aangepast door zijn zoon, A.F. Karels die Opperwachtmeester bij de cavalerie was. Voor 1922 was de mars alleen in gebruik bij de rode (Regiment Huzaren Prins Alexander) en de blauwe (Regiment Huzaren van Boreel) huzaren. De tekst werd o.a. gewijzigd in "Huzaren, oranje, rood, wit, blauw" in plaats van het alom bekende "Huzaren rood en blauw". Vanaf dat moment werd de Huzarenmars de defileermars voor alle vier de regimenten van de Nederlandse cavalerie.


    The Huzarenmars is the march past of the Dutch Coat of Arms of the Cavalry.

    The hussar march can often be heard at the military ceremonial. For example, the march was performed at the royal wedding of Prince Willem-Alexander and Máxima Zorreguieta. The march is also part of the repertoire at the Prinsjesdag ceremonial. On December 11, 2004, Prince Bernhard's funeral service took place in the Nieuwe Kerk in Delft. The procession towards Delft sounded as a tribute to his regiment, the Huzarenmars.

    The march was composed in 1881 by captain Hendrik Karels, bandmaster of the 1st Regiment Huzaren, lineage of the Regiment Huzaren van Boreel. The Hussar March was adapted in 1922 by his son, A.F. Karels, who was Chief Guard in the cavalry. Before 1922, the march was only used by the red (Regiment Huzaren Prins Alexander) and the blue (Regiment Huzaren van Boreel) hussars. The text was changed to "Hussars, orange, red, white, blue" instead of the well-known "Hussars red and blue". From that moment on, the Huzarenmars became the march past for all four regiments of the Dutch cavalry.

    History:
    Neerland en Oranje is a dutch patrioic song about the dutch royal family and the Netherlands being one. Its a spin off from the British song called "Land of Hope and Glory. In this video I took inspiration from the Netherlands in 1815 and the 80 years war. This war was the result of the dutch declaring their independance from Spain. The first map shown in the video is the map of the United provinces (Netherlands) and the spanish Netherlands united under the dutch flag. The second map however is the map of the United Kingdom of the Netherlands wich lasted from 1815 to 1830. This united kingdom came to an end after the Belgian revolution.
    note: This isn't the original song. The original has more lyrics. You can find the lyrics of the full song here:
    https://www.liedjeskist.nl/liedjes_a-...


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